SITEWIDE Search Results: “independent publishing”
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How To Be An Independent Farmer in Central Texas
BY LINDA PEREZ
@ VOL 6
ON MAY 24, 2012
"I'm very glad ranching was my had to do's and I'm very glad I did it."
In "How To Be An Independent Farmer in Central Texas" from PechaKucha Night San Antonio Vol. 6, Linda Perez describes her journey in becoming a rancher. She was born and raised in San Antonio. Over the course of her life, she has cleaned hominid fossils and taught secondary school in Kenya, done research at Harvard University and conducted a health care survey in the Andes Mountains, helped initiate sustainable agriculture and rural businesses in Zambia and assisted in HIV/AIDS awareness & prevention in Swaziland. Since 1993, she has overseen the development of a herd of Beefmaster cattle on her 300-acre L&M Ranch, 40 minutes south of San Antonio. Her presentation focuses on her life as an independent, organic farmer in the heart of Texas.
A Crash Course in Independent Filmmaking
BY KRISTIN WRIGHT
@ VOL 20
ON OCT 04, 2013
Kristin Wright teaches us how to be an independent filmmaker. She talks about how to write stories, the challenges of film direction, and what's involved in production. Kristin touches on the good and bad points of being an independent filmmaker and gives us some tips on how to make the most of your work.
I Love Books
"I love books and all aspect of books."
In "I Love Books" from PechaKucha Night Bangalore Vol. 13, Anja Lutz is a Berlin-based book designer specialising in contemporary art publications. She studied at London College of Communication and the Jan van Eyck Akademie. She was Visiting Professor at the American University of Beirut and the Bauhaus University in Weimar, as well as Design Fellow at Akademie Schloss Solitude. She is the initiator of the experimental publication platform shift! that has won numerous awards and was present at various festivals and exhibitions. Anja is also co-founder and art director of The Green Box art editions, a publisher of artist books. She develops and designs in close collaboration with the artists and has recently published the first interactive art e-book.
"I am interested in local crafts and the Hampi crafts project, initiated by Jaaga. I am also planning to research popular crafts in and around Bangalore. The way I work with artists when designing their books, is always a collaborative one. The same goes for the »shift!« publication projects, where collaboration is at the heart of the activity, drawing from each other's ideas, inspiration and expertise. In the same way I want to view a book on local crafts, by not just doing a book about, but first and foremost a book with the crafts people. This could also go as far as including their crafts in the actual making of the book.
I would also like to put a focus on the sustainability aspect of local and popular crafts, insofar as they offer highly inventive ways of using and reusing material. This re-appropriation of existing and often discarded material constitutes an important aspect of how we use the possibilities around us, with awareness and respect. I believe there is a lot to learn from the people who produce these re-appropriations and I would like to research their approaches and products. And seek an exchange with them, to develop new items and ideas based on their knowledge and experience."
The Art & Culture of Book Covers
BY GREG LILLY
@ VOL 12
ON MAY 23, 2015
Do you judge a book by its cover? It's okay, most everyone does. That's why publishers put so much into book cover design. As both a publisher and an author, Greg Lilly tries to find that perfect balance between just enough to interest you, and too much clutter to pick it up.
Swiss Art Books; Inspiration on a Page
BY MIRJAM ROMBACH
@ TOKYO ART BOOK FAIR 2015, POWERED BY PECHAKUCHA
ON SEP 19, 2015
Speaker Mirjam Rombach draws from her career as an independent publishing to discuss the feild. Hailing from switzerland, the art, architecture, and design provide plentiful content for publications and artistic books.
The Garden Of Paper Delights
BY JARDÍN PUBLICACIONES
@ VOL 12
ON APR 16, 2015
Overcoming an acute case of shyness, Andrea Triana bravely presented some of the most delicious fruits harvested at Jardín Publicaciones, an independent publishing house focusing on contemporary art which, paradoxically enough, displays boldness and risk in both contents and form.
Publishing in the Round - the 3D Printed Book
BY TOM BURTONWOOD
@ VOL 138
ON JUL 27, 2016
The Beauty of Risograph
BY WILLIAM SADOWSKI
@ VOL 21
ON SEP 03, 2015
William Sadowski is somewhat of a multi-tasker. Not only did he establish affordable workspaces for photographers in Brighton, he is also a photobook designer; a curator; a photograph himself and a Risographer printer. He shares his love of this Japanese printing technique and his own 'Riso' prints.
SITEWIDE BLOG POSTS
PKN New Haven in the News
The first PechaKucha Night in New Haven was held last week, and the New Haven Independent reports on how the launch went. Here's a rather nice quote, that closes off the piece: The proof is in the pudding. Over 200 people are here for something that’s never been done before.
PKN Champaign-Urbana Vol. 2
PechaKucha Night in Champaign-Urbana Vol. 2 may have been held back in January, but hey, it's never too late to take a look at how an event went, and we're thankful to organizer Christina Tapp for sending us this report on the terrific event they put together. First, start by checking out this pre-show stop-motion video that fellow organizer Anastasia Tumanova created for the event (and here's a link to a pre-show video that was created for Vol. 1). All of the photos were taken Wallo Villacorta, Chris Perardi, and Jason Bentley. Champaign-Urbana’s second PechaKucha Night, held in January at the Canopy Club, boasted a vibrant crowd of over 400 people with 12 awesome presentations and one rockin' emcee. It was an explosion of creativity, from graphic designers and digital arts to silkscreening and book design; from a world traveler and a photographer to sustainable farmers; and from hiStories and a local charcuterie maker (who brought some pickled tongue to share!) to mad scientists and a bubbleologist! Kicking off the celebration with videos by Anastasia Tumanova and Jason Bentley, PK Vol. 2 also boasted an artist in the audience who decided to sketch the presenters in 6 minutes and 40 seconds while enjoying the show, along with an after party with two bands and pizza (mmmmm!) Starting the show with a little lesson in pronouncing PechaKucha, environment designer and emcee Andy Warfel (he was also a fab PK Vol. 1 presenter) held the night's event together seamlessly, with his laid-back sense of humor. Paul Young discussed the challenges of balancing work and play for creativity and fun. His philosophy? Play evolves into work and work becomes fun. The result is a more fulfilling life. Wes Jarrell & Leslie Cooperband, the proud owners of Prairie Fruits Farm & Creamery, talked about making artisan and farmstead goat and sheep milk cheeses, raising organic fruits and hosting all-local foods dinners on their farm—in a poem! Kelly Searsmith showed us how contemporary artists use emergent digital media to inspire a deepened sense of humanity and social connection. William Gillespie & Cristy Scoggins, writers, designers and pop-culture addicts who run the independent publishing house Spineless Books and host the radio program Rock Geek FM, talked about how the end of commercial publishing equals the beginning of book art. Bryan Heaton shocked the crowd with his storytelling photographs that attempt to exploit the multi-layered meaning of images. Theodore Gray, author of Mad Science: Experiments You Can Do at Home–But Probably Shouldn’t, along with photographer Nick Mann, wowed the audience with tales of mad science and the elements. Laurence Mate, a local charcuterie maker discussed Abligurition n (ab- away, off + ligurire to be lickerish), highlighting the cultural ways humans use the tongue—for speech, expression and repression. Laurence even brought samples of pickled tongue to share! (Don't knock it until you've tried it...) Amy Lin & Eric Shine, working as one Borg-like entity of creativity, presented on hiStories—10 factual and craaayayayaaaaaaazy stories from the pages of history. Viewers discretion was advised—it contained scenes that may not have been suitable for sensitive audiences, including screaming guitars, Microsoft Paint bloodbaths and maggots wearing clothes. Jillian Nickell took us along on her adventures in silk screening and t-shirt illustration. Keihly Moore gave us peek into the lives of the Roma: a traveling story of a traveling people living on the margins of European society. Doug Burgett, a graphic designer by trade, an artist at heart and an astronaut in his dreams, captivated the audience with stories of misunderstood artistic endeavors and creative pursuits. Mark Peckham passionately spoke about coming to the realization that it's his true calling to bring joy to the world through the uncanny power of bubbles, which magically filled the air after his presentation! Keep an eye out for presentations posted from Vol. 2 that will continue to help raise money for Haiti. Our next event will take place on Friday, April 16 at the the Canopy Club as part of this year's Boneyard Arts Festival.
PechaKucha + The LegalArt Six
A special edition PechaKucha Night in Miami is set to feature the LegalArt Six artist residency, taking place at the Rubell Family Collection Contemporary Arts Foundation on March 25 (18:00-20:00). We're including the full press release for more details, as well as the list of participating -- and presenting -- artists. PECHA KUCHA NIGHT FEATURING THE LEGAL ART SIX FOR MIAMI’S FIRST LIVE/WORK RESIDENCY MIAMI (Mar. 12, 2010) Pecha Kucha, an event for young designers to meet, network, and show their work in public, will feature the LegalArt Six Thursday, March 25th 6-8PM at The Rubell Collection. This event serves as a public introduction to the local visual and multimedia artists the have been selected to participate in Miami’s s first live/work artist residency program, scheduled to open in the Downtown Arts and Entertainment District this spring. With 20 Power Point slides shown for 20 seconds each, the Miami artists - Carlos Ascurra, Pachi Giustinian, Jiae Hwang, Alvaro Ilizarbe, Manny Prieres, and Jen Stark will have about seven minutes to talk about their work and plans to give back to the community. Ideas include creating a mentorship program with high school artists and working with the blind to create visual art. A list of the artists’ work and projects is below. The Live/Work Residency Program, launched by the nonprofit LegalArt, is funded by the John S. and James L. Knight Foundation’s Knight Arts Challenge, a $40 million effort to bring South Florida together through the arts. Additional support is being provided from the Emily Hall Tremaine Foundation and the Miami-Dade County Department of Cultural Affairs. “The residency will act as an incubator for these talented artists which will take them to a new level in his or her career,” said Kathleen Carignan, LegalArt’s executive director. “I am excited to see the new collaborations and innovative ideas that emerge when these artists live and work together.” The highly competitive LegalArt Live/Work Residency is Miami’s first subsidized live/work, professional development, and community-building artists’ facility. Designed as an incubator, artists in residence live and work in private 900 square foot studios and have access to exhibition, lecture, legal counseling spaces and a comprehensive resource library. The Residency brings together some of Miami’s most promising artists, along with national and international artists and curators; allowing them to collaborate in ways only a residential model can offer. Visiting curators and scholars will engage both with resident artists—by mentoring, leading critiques and exploring exhibition opportunities beyond Miami—and the public through lectures, workshops and exhibitions. The Residency’s first participants and their projects are: Carlos Ascurra: His work explores the impact of sound and information in contemporary culture and engages in a dialogue with the viewer about the findings. Give-Back Project: Will create a publishing house called RUINS Publishing to create hand made publications with photocopy machines, silkscreen and sound equipment in order to create a forum for discussion and collaboration. Pachi Giustinian: This multimedia artist explores matters of color, light and sensations. Give-Back Project: To See Without Sight is a program for individuals who suffer from all levels of blindness. The program will introduce them to a new form of expression, to produce and create visual art. Jiae Hwang: Inspired by the ideas of string theory and parallel universes this interdisciplinary artist deals in a broad spectrum of media from traditional drawings to video, audio, and multimedia installations which seek to create new ways to engage with viewers. Give-Back Project: Graphic design, video art, and software training sessions for artists to provide project support for digital documentation, converting image files, import and export of visual media, and explanation of graphic and video software. Alvaro Ilizarbe: Creator of the Freegums clothing label Lizarbe focuses on madcap aesthetics, comfort, and individuality. Give-Back Project: Creating an opportunity for elementary school students to collaborate with mural artists. Manny Prieres: His work is the product of the clash between tradition, temperamental heritage, and an intense, idiosyncratic counterculture expressed with detailed drawings and sculpture. Give-Back Project: An artist lecture series will provide studio visits for art students in high school and college. The series will give students a glimpse of what they can expect when they graduate and begin their careers. Jen Stark: Interested in how math and science is intertwined in everything around us, Stark creates complex structures that reveal how remarkable common materials can become. About PechaKucha PechaKucha was conceived in Tokyo in February 2003 by architects Mark Dytham and Astrid Klein as an event where young designers could meet, network and show their work in public. Over time, it has evolved into a massive celebration of creativity, with events regularly being held in over 270 cities including Miami. Last year, more than 6,000 presentations were hosted at over 600 PechaKucha events. Drawing its name from the Japanese phrase for the sound of conversation ("chit chat"), the PechaKucha format is simple—20 images x 20 seconds—and designed to keep presentations concise and moving at a rapid pace. About LegalArt LegalArt empowers artists by providing affordable legal services, professional development services, the Live/Work Residency, grants, and educational opportunities. Our SeminArt series brings experts to educate artists on wide-ranging subjects including strategic planning, marketing, wage theft, winning arts commissions, and public speaking. LegalLink, a legal assistance and education program which partners with University of Miami Law School and local attorneys, provides legal services on a pro bono, barter or reduced rate basis. LegalArt’s professional staff made up of attorneys and arts advocates offers training in copyright and trademark, incorporation, portfolio management, writing skills and maintains the LegalArt headquarters where South Florida artists are welcome to seek guidance, support, resources and a greater sense of community with their peers. About the Rubell Family Collection and Contemporary Arts Foundation The Rubell Family Collection (RFC) was started in New York in 1964 when Don and Mera Rubell were first married. Since 1993 it has been displayed in Miami at its current, 45,000 square-foot location inside a former Drug Enforcement Agency confiscated goods facility. RFC first opened to the public in 1994. In 1998 the non-profit Contemporary Arts Foundation (CAF) was created to expand the Collection’s public mission inside the paradigm of a contemporary art museum. Each year CAF presents thematic exhibitions drawn from the collection with accompanying catalogs. These shows often travel to museums around the country. CAF also maintains an internship program, partnership with Miami-Dade County Public schools, an ongoing lecture series and an extensive artwork loan program to facilitate exhibitions at museums around the world. Since opening in 1994, RFC has been recognized as the pioneer of what is often referred to as the “Miami model,” whereby private collectors create a new, independent form of public institution.
Quakebook was one of the many fantastic projects that popped up following the events of 3/11 to bring attention and raise funds for reconstruction in Japan -- you can watch a presentation about the project by "Our Man in Abiko" himself, recorded at our Inspire Japan event in Tokyo last year -- and the same team is now behind Reconstructing 9/11. We include the full press release in this post. “RECONSTRUCTING 3/11” BRINGS FRESH VIEWS AND ALTERNATIVE PERSPECTIVES TO ANALYSIS OF JAPAN’S EARTHQUAKE, TSUNAMI AND NUCLEAR DISASTER Abiko, Japan — One year after Japan was devastated by the earthquake, tsunami and nuclear meltdown in March, 2011, and all the problems this triple disaster caused are still not fixed. And the hard questions raised by the responses to the 3/11 crisis by both the Japanese government and the media still remain mostly, and unfortunately, unanswered. “Reconstructing 3/11” is the first eBook from Abiko Free Press, a new electronic publishing company formed by the same team which created “2:46—Aftershocks: Stories from the Japan Earthquake” (#Quakebook). Drawing on the experiences and expertise of noted journalists, independent writers, and Japan experts, “Reconstructing 3/11” takes a close and insightful look at various facets of the 3/11 Disaster. From an assessment of what the Kan administration did right, to a first-hand account of what it took to volunteer for clean-up after the disaster, to an analysis of how Japan’s yakuza gangsters actually proved a force for good during the early stages of disaster recovery, “Reconstructing 3/11” reports on angles and attitudes about that fateful day which you likely didn’t get from your conventional media outlets. Contributors to “Reconstructing 3/11” include: Japan Times journalist Philip Brasor (“Media: Giving the people what's good for them”); M.I.T. Center for International Studies researcher Michael Cucek (“Politics: Kan won”); Japan-based freelance writer Nathalie Kyoko Stucky (“Survivors: Last man in the forbidden zone”); Tokyo-based journalist Richard Smart (“Protests: Japan's citizen's are angry with the system and would like a polite word with it”); Tokyo Vice author Jake Adelstein (“Crime: Sometimes the yakuza live up to their image”); Jamie El Banna, founder of the non-profit volunteer relief organization It’s Not Just Mud (“Charity: Sometimes the best thing you can do with your life is shovel reeking mud”); public relations consultant Orlando Camargo (“Business: From disasters locally, Japan can evolve globally”); and Hiromi Murakami, a professor at Tokyo’s National Graduate Institute for Policy Studies, and Kiyoshi Kurokawa, chairman and co-founder of Impact Japan (“History: Japan's third opening rises from black waters”). The opinions and analysis in “Reconstructing 3/11” are consistently honest and insightful, and some may even be considered controversial. But the material written for this book comes from writers who have been on the front lines of reporting on, solving, and, in some cases, living through the problems caused by Japan’s March 11th, 2011 disaster. The goal of “Reconstructing 3/11” is to get the reader to understand and think about these problems in new ways. Because this is a new kind of book, for a new way to look at Japan. “Reconstructing 3/11” is currently available in a Kindle edition on Amazon.com. And for further information please visit the Abiko Free Press website http://www.abikofreepress.com/, or join us on Facebook http://www.facebook.com/pages/Abiko-Free-Press/277916768937198 or follow us on Twitter http://www.twitter.com/abikofreepress.
New Music Scene in Vietnam
Tri Minh is a huge music fan, and in "New Music Scene in Vietnam," he walks us through the evolution of popular music in Vietnam. He also shares how he has been trying to introduce independent and underground music to his countrymen. It was recorded at PechaKucha Night in Hanoi Vol. 3, and is in English.
Books in the Age of the iPad
"Print is dying. Digital is surging. Everyone is confused." In today's Presentation of the Day, "Books in the Age of the iPad" from PKN Tokyo Vol. 68, writer/designer/developer Craig Mod prophesies the impending doom of text-only publishing, and welcomes with open arms the oncoming (ongoing?) revolution in digital publishing. Craig discusses his role in this uprising in the form of his and AQ Works' collaboration on "hitotoki" (now re-branded and re-launching as "hi") a way for people to create small narratives based on their everyday experiences in the city. For further reading on this topic, check out his journal article.
A Crash Course in Independent Filmmaking
Running through the woods with a hatchet, setting stuntmen on fire -- ah, the life of a filmmaker. Kristin Wright goes into great depth on her experiences working on her own films. In "A Crash Course in Independent Filmmaking" from PKN Atlanta Vol. 20, she talks about how to write great characters, the challenges of directing actors, and what's involved in the production process. Kristin touches on the good and bad points of being an independent filmmaker and gives us some invaluable tips on how to make the most of your work.
The Indie Game Revolution
"Supporting independent games is the same thing as supporting art ... it's an artistic revolution happening right under your nose." Max Temkin talks about the revolutionary change in the computer gaming industry from publisher and distributor producted games to independent games that could be sold directly to the customer. In "The Indie Game Revolution" from PKN Chicago Vol. 29, Temkin gives an overview of independenly created games, like Minecraft, Fez, and Spleunky, in order to show what great games (and great art forms) could be created outside publisher and distributor influences.
PKN 2 in Vientiane!
Vientiane's second PechaKucha Night took place on March 31, 2016, with more than 120 people coming together upstairs at Coco&Co.! Vintage furniture, chandleirs, and a crazy cat pillow - thank you Coco for letting us invade the coolest living room in Vientiane! The event brought together nine of the Capital's creative, innovative and talented minds: social media photographer Janna Gibson, avid mapper Matthias Bethke, documentary maker and journalist Vannaphone Sitthirath (Kino), photographer Tessa Bunney, theatre director Margarete Magiera, publishing manager Dominique le Roux, designer and cafe owner Nilada Ratanavong, cafe owner Yoko Matsushima, and photographer Micka Perier, to share their ideas with the community. Presentations spanned personal essays and life-shaping experiences, a culmination of 15 years of portrait photography, a spoken word performance, coffee as a means of communication, agriculture and mapping, a theatrical journey, and asking ourselves if we have a book in us. Many thanks to the Vientiane community for coming down and supporting our 9 fantastic speakers - along with our supporters Coco & Co Cafe, TOH LAO Coworking Space & Services, and of course our wonderful Vol. 2 poster designer Vilakone Phachanthavong! Here's a few snaps from the event! Photos by Kate Antonas, and Nao Ito when noted. Janna Gibson presenting '#RealLaosProject' Yoko Matsushima presenting 'Laos, Coffee and the Little House' Nilada Ratanavong presenting 'Observations of Beautiful Forms' Micka Pereir presenting his visual essay. Photo by Nao Ito. Vol. 2 speakers (L-R): Janna Gibson, Margarete Magiera, Micka Perier, Vannaphone Sitthirath, Yoko Matsushima, Tessa Bunney, Nilada Ratanavong, Matthias Bethke, and Dominique le Roux.