NEW YORK Search Results: “destruction”
NEW YORK PRESENTATIONS
Death by Architecture
BY ANANTH SAMPATHKUMAR
@ VOL 17
ON MAR 09, 2017
Architect Ananth Sampathkumar takes us through the world of architectural competitions - from historical examples of the Sydney Opera House and Pompidou Center to a cultural center in Sri Lanka.
Ananth studied at the Illinois Institute of Technology and the School of Planning and Architecture in New Delhi, India before moving to New York. Here he co-founded NDNY Architecture and Design, completing projects in Srilanka, India, and the USA.
SITEWIDE Search Results: “destruction”
Campus de la Fonderie de l'image
Feb 20, 2010
Hoogland Center for the Arts, Theatre 3
Feb 05, 2015
Palazzo Michiel del Brusà
Mar 11, 2017
Jun 19, 2018
Atlas of Destruction
BY LUIS URCULO
@ VOL 107
ON OCT 30, 2013
Luis Urculo discovered that he is interested in not the wholes, but the parts that make up the wholes. He created an atlas of destruction, where he has compiled a collection of pictures of buildings that have been destroyed. He then tried to reproduce their destruction using everyday objects.
"Presentation of the Day" on December 10, 2013.
BY LIANA STARIDA
@ VOL 4
ON SEP 20, 2013
Archaeologist Liana Starida witnessed the fatal destruction of the buildings in the city of Heraklion, and believes the sprit and hope of these buildings can be brought back to life again through her photography. While portraying the human dimension of these disasters, her work shows a city that is losing its historic identity. Liana hopes to convey emotion by representing the first blow of destruction and capturing the piles of ruined houses, once full of the laughter, joy, and sorrows of forgotten souls.
Not Yet the End of the World
BY SUMMER GRAY
@ VOL 10
ON JAN 30, 2014
Summer Gray is a Ph.D. student in Sociology at the University of California, Santa Barbara, and a Research Associate at the International Institute of Climate Action and Theory. She speaks on the climate justice movement, and what we must do to save the planet from the destruction of global warming.
"Presentation of the Day" on April 5, 2014.
Life ÷ Mass
BY WILLIAM MASSEY
@ VOL 27
ON NOV 15, 2015
William Massey is most known around Atlanta as the artist Divided Mass who creates sculptures from found items. Most notable of these are to be found on the eastside section of the Beltline. But how did Massey come to this form of art and where is it leading him now? What is the next thing? Listen to William Massey as he talks of being a precocious and destructive teenager but finding his artistic calling through that love of destruction.
Imagine, to go Beyond
BY HANNA KARIM
@ VOL 11
ON DEC 02, 2015
"In war, the hardest thing is to think...to think about your future, present and past, to think about love, life, and dreams, but sometimes you need to Imagine to go beyoned your miserable reality, and turn it as you want to imagine." Hanna Karim, film maker
Tremors from Kumamoto
BY MARI NASAKI
@ VOL 135
ON APR 27, 2016
"As we attempted to escape our crumbling buildings, the electricity cut out, and we were left scrambling in the dark."
In Tremors from Kumamoto, from PKN Tokyo Vol. 135, PechaKucha Night Kumamoto team member Mari Nasaki recounts the days and weeks following Kumamoto's largest earthquake in centuries. She speaks of destruction, lack of sustenance and supplies, but also of hope.
The was "PechaKucha of the Day" Tuesday, May 3rd, 2016.
Volunteering in Tohoku: 6 Years Later
BY CRISTINA MARIE DEANE
"Wherever I looked I saw destruction, but what I also saw was hope in the eyes of those who survived."
In Volunteering in Tohoku: 6 Years Later, Cristina Marie Deane shares her story of volunteering in the Miyagi prefecture following the devastating events of the March 11, 2011 earthquake and tsunami. Volunteering turned out to be not only an enlightening and fulfilling experience for Cristina but it also changed the course of her life.
BY TONY DAVIS
@ VOL 7
ON MAR 09, 2017
Tony Davis volunteered with the Roatan Marine Park in Honduras, a non-profit conservations organization, trying to preserve and reduce the destruction of its surrounding and still vibrant reef system. One of his jobs with the organization was working with snorkelers visiting on cruise ships to the island, and trying to educate them about reef-safe snorkeling techniques that would both preserve reef health and prevent personal injury.
SITEWIDE BLOG POSTS
PKN San Francisco Vol. 31
After Tokyo, the longest-running PechaKucha Night is in San Francisco, and that city's organizer Paul Jamtgaard sends in the following report for last week's Vol. 31. Our 31st event continued along the same upward trends we've been enjoying for 3 years!! They just keep getting better. The line outside was becoming a problem while we made the last preparations, but we were happy to welcome over 300 people, coming back to our old stomping grounds at 330 Ritch in the South of Market to see 11 fantastic presentations that included more than one first for PK-sf, among them an artistic aerial trapeze performance and a live jazz trio. While DJ Dan Senatore was jetting about Europe, DJ Joe filled-in with some excellent rolling vibes that more than filled the space when Keith Chamberlain and his jazz trio were not giving us all some seriously cool atmosphere -- we all looked sexier when they played. His presentation on the evening's theme of "CHANGE" launched with Shiva the god of destruction and creativity, and wove a line of thought right through the centerline of a stem cell's first steps of growth...he left the room wowed and awed. Not to be outdone, the aerial performance duo of Kate & Alayna AKA "Bow & Sparrow" spun the room's attention round to the middle of the space. Kate performed a sensual dance 7 feet off the ground while images of their performances flashed across the screen. Architect Jerry Griffin gave an eye-popping crash course in how far a sustainable building can go in the Synergy Center project he has been designing, and Frederick Gibson shared his practice's work from Califiornia to New Zealand. Travel writer Edward Hasbrouck challenged everyone not only to go out and see the world, but also -- because it will be increasingly difficult to do it -- to make the most of this fading opportunity to connect to this human race of ours. The next edition of PKN San Francisco is set for March 13 at UC Berkeley's College of Environmental Design. The theme for the evening will be "STIMULATE."
57 Hours Later...
On a warm January afternoon just over two years ago in Port au Prince, an earthquake the likes of which Haiti had not seen in over 50 years struck. The magnitude 7.0 tremors destroyed buildings, residences and resulted in an estimated 316,000 deaths -- making this the 2nd deadliest earthquake of all time. Among the responders was Turkey's GEA-SAR Team (a member of the International Search and Rescue Advisory Group) which collaborated with US SAR teams to comb through debris and destruction to find the few trapped survivors of this horrendous natural disaster. This week's "City Focus" is on Istanbul, so we've picked this wordless edition (from PKN Istanbul Vol. 1) of Presentation of the Day to highlight Turkish GEA Team's heroic efforts. It should also be noted that this presentation was originally a part of our Global PechaKucha Day effort for Haiti Reconstruction.
After seeing the destruction unleased upon the Tohoku region, Japanese toy-maker Takashi Tsunoda was compelled to do something creative, constructive. In today's Presentation of the Day, "Play-Deco" from PKN Tokyo, Vol. 92, Takashi (of Twelvetone, or Magnote in English) discusses his passion for developing simple, customizable wood and paper figures and toys. He has added elements of creativity to his figures by allowing owners to design their own papercraft exteriors. His hope is that by allowing children to develop their own modifications to their playthings, they might learn the power of creation.
Atlas of Destruction
"Perhaps, things aren't meant to be whole -- they're meant to be destroyed." In today's Presentation of the Day, "Atlas of Destruction" from a special Tokyo Designers Week 2013 edition of PKN Tokyo Vol. 107, artist Luis Urculo espresses his interest not in wholes, but in the sum of parts that make up a whole. Some of his work involves creating what he calls an "atlas of destruction," where he has compiled a collection of pictures of buildings that have been destroyed, and arranges them in a unique manner. To see more of the projects he mentions, check out his amazing portfolio here.
The Importance of Play
Ever feel like you're a kid in a grown-up's body? Christina Hug, founder of The Makers Nation, was taken by surprise when children showed up at her "Battle Bot Royale" -- an event she put together for adults to build robots that would brawl to destruction. Since this expereince, she has taken on a new mission: to encourage adults to play more. And in "The Importance of Play" from PKN Toronto Vol. 28, she expounds upon her perspective that work and play can and do complement each other.
Not Yet the End of the World
Noel Celis/Agence France-Presse/Getty Images "Einstein once said, 'We can't solve our problems with the same thinking we used when we created them.'" Summer Gray is a Ph.D. student in Sociology at the University of California, Santa Barbara, and a Research Associate at the International Institute of Climate Action and Theory. In "Not Yet the End of the World" from PKN Santa Barbara Vol. 10, she speaks on the climate justice movement, and what we must do to save the planet from the destruction of global warming.
Tremors from Kumamoto
"As we attempted to escape our crumbling buildings, the electricity cut out, and we were left scrambling in the dark."In Tremors from Kumamoto, from PKN Tokyo Vol. 135, PechaKucha Night Kumamoto team member Mari Nasaki recounts the days and weeks following Kumamoto's largest earthquake in centuries. She speaks of destruction, lack of sustenance and supplies, but also of hope.
"The story [we're] telling you tonight is about the first global art movement which started right there, 100 years ago, in the old town of Zurich, in a place called 'The Cabaret Voltaire.'"Just over 100 years ago, the Dadaists used poetry, prose, parody, and provocation to confront and question the WWI society that brought so much destruction. This "nonsensical" art movement was perhaps the most decisive single influence on the development of twentieth-century art, and its innovations are a continuing source of inspiration to artists today -- Hear from Swiss Embassy Public Affairs head Miguel Perez-LaPlante and curator Yukiko Shikata speak on this radical movement in DADA from PechaKucha Night Tokyo Vol 137.