BUFFALO Search Results: “black americans”
Realizing Good Ideas
BY CHRISTOPHER SIANO
@ VOL 14
ON NOV 17, 2015
"It's not enough to have a good idea. To realize that good idea is very difficult, and that's what I work hard to do".
In Realizing Good Ideas from PechaKucha Night Buffalo Vol. 14, Chris Siano shares how he uses digital design and fabricatio to make things better, whether it is a public art installation, a student sculpture project, a building or a neighborhood. For the past twelve years he has served as an Instructional Support Technician in the University at Buffalo Department of Art. In 2005 he formed The Foundry Group Inc. - a company specializing in art and architectural fabrication. And in 2012, in partnership with his brother Matthew, he formed HES Properties - a real estate development company focusing on development of mixed-use properties on Buffalo's West Side. All of these endevours are conduits for great ideas in his community to come to fruition.
Cover image: Fabricated by Chris Siano and The Foundry Group, Inc., 2015 for the Albright-Knox Art Gallery: Jene Highstein's Black Mound (Turtle).
This was "PechaKucha of the Day" on Thursday, January 7th, 2016.
BY STACEY ROBINSON
@ VOL 16
ON APR 14, 2016
"The work becomes a conversation about class, race, gender and appropriation."
In Building Afrotopia from PechaKucha Buffalo Vol. 16, artist Stacey Robinson illustrates how speculating black futures became paramount in his artistic practice as a response to the global displacement of Black and Indigenous people. Robinson shares recent work, beginning with his current Pan-African flag series, representing nations where Black and Indigenous populations are controlled by extreme measures. Robinson then shares works from an in-progress book, 100 Afrofuturists Practitioners, depicting people building future spaces where Black peace exists using S.T.E.A.M (Science, Technology, Engineering, Art(s), and Math). Lastly, Robinson presents works inspired by the past Black Renaissance speculative Black Futures, with Afrofuturist digital collages inspired by Romare Bearden, James Denmark, Manzel Bowman, and other past and contemporary mixed media collage artists.
Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975
BY CHARLES L. DAVIS, II, PH.D.
@ VOL 17
ON SEP 15, 2016
"We started with several books that looked at the brownstone as a site of intervention."
In Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975 from PechaKucha Buffalo vol. 17, Charles L. Davis, II, Ph.D., Assistant Professor of Architecture at the University of North Carolina at Charlotte, shows works from his recent exhibition project, Building Black Utopias, and discusses the literature that served as inspiration.
The Building Black Utopias project combines the tools of the architect, the historian and the literary critic to recover the historical contributions of African American writers to architectural utopian thought. It specifically examines the role of literary depictions of place in June Jordan, Amiri Baraka, Paule Marshall and Angela Davis’ writings. Davis argues that each authors’ rhetorical manipulations of the built environment operates on the same level as architectural utopian thought insofar as both mediums created rich, alternative depictions of modernist space to liberate the architect’s imagination. The final exhibit translates the spatial ideas of literature into drawings, models and other ephemera.
The De-Institution: Or. How to Make A Contemporary Arts Space with no Capital, Networks or Cred
BY DANA MCKNIGHT
@ VOL 17
ON SEP 15, 2016
"Number 1. Be an ornery artist. You're mad. You went to art school. You go to shows in basements and living rooms. You are the poster child of the scurvy-laced bohemia. Your parents can't pay your rent."
In The De-Institution: Or. How to Make A Contemporary Arts Space with no Capital, Networks or Cred from PechaKucha Buffalo vol. 17, artist and founder of Dreamland Art Gallery in Buffalo, NY, Dana Mcknight, illustrates twenty steps to carving out a cutting-edge, artist-run space outside of the dominant, institutional realm. Mcknight cautions, "To be an institution is to own-- to place value on possession rather than action. To fixate on conservative contentment rather than Hope and Possibility. Artist-led spaces fizzle out all the time. Let us not leave behind the phoenix eggs to merely touch a tusk in the Elephant graveyard."
BY ERKIN ÖZAY
@ VOL 18
ON SEP 24, 2016
"How can we make our endeavors clear and approachable enough that we can actually contribute to the public debate at a very high level?"
In Rethinking Resettlement from PechaKucha Buffalo Vol. 18, Assistant Professor of Architecture at the University at Buffalo, Erkin Özay, reviews some of the social and design issues involved in rehousing and supporting Buffalo, New York's new Americans. Özay's Spring 2016 UB graduate studio explored the potential for temporary and long-term housing for newly arrived refugees and immigrants, as well as the role of supporting institutions, community assets, and reimagining the existing housing stock. Özay's project investigates "compassionate urbanism." He is interested in how groups of limited means--new and existing residents--support each other through careful intersections.
Why Forests Matter
"This is the Black-throated Green Warbler. I know how to do the birdcall for this, but I'll do it afterwards, I promise."
In Why Forests Matter from PechaKucha Buffalo Vol. 19, Deputy Executive Director of the Nature Conservancy of Central & Western New York, Jim Howe, explains the three-part mission of organization: to protect land and water (120 million acres around the world, including 100,000 acres in Western and Central New York), to transform policy and practice for sustainability and to inspire people to connect with nature. Why do forests matter? Howe leads us on a tour of protected forest lands that provide imporved healthed and mental outlook, as well as critical habitats for wildlife. And Howe's Black-throated Green Warbler call was a show stopper!
SITEWIDE Search Results: “black americans”
Jul 25, 2012
The Strand Theatre
Nov 14, 2014
Seattle University Pigott Auditorium
Nov 02, 2015
Powered by PechaKucha
University of California, Merced - Lakireddy Auditorium COB 102
Feb 20, 2016
Nordic Heritage Museum
Mar 16, 2016
Sep 24, 2016
Nov 17, 2016
Jun 17, 2017
bar Petak/ bar Friday
Dec 04, 2017
Parrish Art Museum
Jun 15, 2018
Having Black Friends: A "Do" and "Don't" Guide to Racial Understanding
BY DUANTE BEDDINGFIELD
@ VOL 10
ON FEB 23, 2012
Duante Beddingfield is a local writer whose work can be found in the Dayton Daily News and on the Welcome Dayton website. In his presentation, Duante hopes to help guide us towards a post-racial America. (in English)
Black in The Day
BY WILLIE SLAYDEN
@ VOL 1
ON OCT 15, 2015
How much do you know about black history? The presenter shares historic moments of American history in relation to how black community members were treated by their white counterparts while also highlighting the assets of a black community in Tulsa Oklahoma.
If You Love Chicago
BY BERNARD LOYD
@ VOL 46
ON JUN 05, 2018
Bernard Loyd is founder of Urban Juncture, Inc. and of Urban Juncture Foundation, social enterprises focused on revitalizing urban communities. A Bronzeville resident, he is the project leader of the Bronzeville Cookin’ initiative @ 51st Street & the Green Line that is sponsored by UJ Inc. and UJF.
SITEWIDE BLOG POSTS
PKN Kuala Lumpur in Black and White
We'll have photos from last week's PechaKucha Night in Kuala Lumpur Vol. 7 soon enough, but in the meantime here's a great moody shot from the event by Flickr user shootanemo, a Kuala Lumpur-based graphic designer and photographer.
We were very humbled and thankful to be awarded the "Tokyo Prize" last week, given "for outstanding contribution to contemporary culture in Japan." It is represented by a trophy in the shape of a black crow, designed by artist Hiroki Tashiro -- if you've never been to Tokyo, let's just say that the black crow is a common sight, and represents the city well. Judges for the prize included Fumio Nanjo, Director of the Mori Art Museum. The prize was given to Mark & Astrid by Suzie Roos, wife of the the American Ambassador to Japan. Below, a few photos taken during the ceremony, which was accepted by PechaKucha founders Astrid Klein and Mark Dytham. Pictured throughout with his dog is Johnnie Walker, a mainstay in the Tokyo art scene, who helped launch the prize a few years ago.
The Magic Hour
Andy Warfel has one of the coolest jobs around: he plans and designs giant parties, product announcements, and theatrical environments. In this edition of Presentation of the Day (from PKN Champaign-Urbana Vol. 2 as a part of the special PechaKucha 20x20 Haiti Reconstruction fundraiser) Andy briefs us on his appreciation for mesh panels, pneumatic doors, polished black acrylic, and ramps shaped like Hot Wheels tracks (hint: these are all used in his productions).
Fear of a Black Planet
"Who stole the soul?" In today's Presentation of the Day, "Fear of a Black Planet" from PKN Winnipeg Vol. 9, DJ, producer, and promoter Tim Hoover raps (quite literally) on his greatest passion: hip-hop music. He shows us how the Public Enemy album Fear of a Black Planet changed his life, led him to tour the world, and grew into a career in audio engineering.
The Hijacked American Dream
"No one ever laid on their deathbed and wished they had acquired more stuff." In The Hijacked American Dream, Joel Larsgaard (at PechaKucha Atlanta, Vol. 20) speaks on what Americans currently define as "The American Dream." What was once defined by James T. Adams as a dream of a "land that would be better, richer, and fuller for everyone" has become twisted, and nigh unrecognizable today. He delves into the culture of consumerism that he compares to drug use, "a brief high, followed by a crash."
Cycling is the New Black
Cycling isn't back in style -- it never left. Richard Hayman describes his two passions: cycling and architecture. They may seem like two different ideas, but they have more similarities between them then people may think. In "Cycling is the New Black" from PKN Christchurch Vol. 18, Richard talks in more detail about the relationship between cycles and architecture and how both are a series of different parts that join together to make a beautiful whole.
Growing Up Black in Britian vs. America
"My dad left when I was 15 months old and that's the first reason I'm glad I grew up in England."In Growing Up Black in Britian vs. America from Madison Vol. 13, a British-born, Chicago-based journalist, Gary Younge shares his insights of the complexities of race while growing up and living in two different countries. While facing the challenges of racial inequality in both American and Britian, Younge offers a unique persective on the merits and pitfalls and over all complex issues of race in both societies. Check out this facinating presentation!
Tokyo Around the Clock
"I wanted to show places that tourists cannot see, and strangers are not allowed." In Tokyo Around the Clock, from PechaKucha Night Tokyo Vol. 131, Elena Aframova shares her 5-years-in-the-making photo project that utilizes thousands of dramatic black & white photographs to depict everyday life in Tokyo in the form of a graphic novel.
The Long Black Wig Project
“Recall the idiom Everything But the Kitchen Sink…This is NOT that space.” In The Long Black Wig Project from PechaKucha Night Bryan’s 5th Volume Speaker Becky Eddy Phillips rhythmically details a her multimedia artistic piece. The Long Black Wig Project enters contemporary plots in art, science, domesticity, mothering, and feminism. Using art like a verb, it wavers in leaps and falls between the intellectual and domestic realms. At the same time, the work is introspective, balancing the overlapping (though historically antithetical) realms of mother and artist: how to stay connected to art depends on the artists connectivity to her children. An ambitious multi-media exhibit, it is contained within A Vacuous Space. A multitude of video vignettes are projected within it’s relative space. With titles such as Miss Sara Tonin’s Fancy and My Feminism Hurts My Marriage, the imagery is strangely eerie with a feminine edge as if there were an invisible link to the past lives of women associated with Surrealism. A long wig is seen throughout the work and acts as a connective fiber.
Creativity in the Law
"A lot of people think that law is black and white. You are right or you are wrong. Actually I think that to be a good lawyer, to be a good arguer, you have to be creative." In Creativity in the Law from PechaKucha Night Salt Lake City - Vol. 17, Lauren Barros, an accomplished lawyer, believes that in order to be a good lawyer, you have to be creative. Especially when it comes to interpreting the law and how it impacts LGBT couples and families.