Loek Grootjans (b. 1955 in Arnemuiden) collects and keeps a record of whatever touches him as an artist and a human being. In 2008 he launched Storage for Distorted Matter, a wide-ranging project that sets out to register and store life. Thus for many years the artist collected the dust in his studio, as well as Vincent van Gogh’s native soil; he also stored the water in which drowned bodies washed ashore on the Dutch island of Vlieland.
VIEW SIMILAR PRESENTATIONS
Modern Touch DJing
BY LASSE LAURSEN
@ VOL 101
ON MAR 27, 2013
The availability of touch interfaces for DJing has exponentially increased along with the obiquitous influence of smartphones and tablets. But many of these "modern" interfaces stick to applying dated interaction patterns that are unfitting for this new type of interface. In this presentation, Lasse Laursen talks about where he believes the strength of mixing using touch interfaces lie, along with a sneak peak at his own work-in-progress interface.
"Presentation of the Day" on April 4, 2013.
Art is a Matter of Perception
BY JESSICA SWEAT
@ VOL 7
ON MAY 24, 2014
This is Jessica Sweat's third PechaKucha presentation, and we can see the progression and growth she is developing in both her technique and thought behind what she creates. As in her previous PechaKucha's, she presents a combination of her art and her poetry.
"Please Touch" Connected Art
BY LE PENHER SOPHIE ET GUILLAUME
@ VOL 10
ON JUL 01, 2015
"To us there seemed to be an obvious link between the transparent surfaces of interactive technology, omnipresent in our lives, and the tactile nature of our glass wood art pieces.
Just as interactive technology requires the human touch to activate, what if our sculpture responded to the human touch? Could we fuse these two notions--a traditional art form and interactive technology--while maintaining aesthetic integrity and technical functionality? Our idea for a tactile and interactive installation was born." Sophie et Guillaume Le Penher
The Myth of Perfection: Tolerance is a Matter of Plus or Minus, Choose Your Degree
BY ALEXANDRA P. SPAULDING
@ VOL 15
ON FEB 04, 2016
"You know there's no such thing as perfection, right?...If you can collectively make the imperfections work, you have perfection."
In The Myth of Perfection (Tolerance is a Matter of Plus or Minus, Choose Your Degree) from PechaKucha Night Buffalo Vol. 15, Buffalo-based artist and engineer Alexandra P. Spaulding reflects on her artistic practice, her love of minimalism, and her eventual acceptance of inevitable imperfections. Examining the notions of tolerance and how exacting to the millionth decimal point does not equal perfection, Spaulding focuses both on the visual arts (Minimalism), her own practice (aurally immersive installation art), engineering and manufacturing, and how the conflux of these three schools of thought have made her more accepting of 'the happy accident' and a better artist.
Species of Space
BY ROBERT POWELL
@ VOL 33
ON APR 22, 2016
Robert Powell has long been interested in encyclopaedic and organisational forms. His practice explores representations of reality that are universal, yet constantly subverted as they are enmeshed in a web of cultural and personal memory, of national histories and myths, always with the covering cherub of art history looming above. This interest was also exemplified his recent solo exhibition in Quebec City entitled ‘A Universal History of Iniquity’, which the artist has described as ‘a universal history viewed through the prism of Borges’ Aleph relocated to a Stockbridge basement.’
Why Portraits Matter
BY DAVID PARISH
@ VOL 15
ON FEB 17, 2017
This was "Presentation of the Day" on June 29th, 2017.