As a young man growing up in Tabaka village of Kisii County, Gerald Motondi never envisaged that the common soapstone would carve his niche in the world of art. Motondi is actively participating teaching and sharing his love for stone curving and soap stone.
VIEW SIMILAR PRESENTATIONS
Storytelling through Sculpture
BY JUDY BONZI
@ VOL 18
ON SEP 13, 2013
Judy Bonzi shares her artistic process of creating sculptures around themes of the human condition, nature, and relationships. She uses diverse techniques like bronze-working and stone-carving to create memorable pieces, with an emphasis on shadows, movement, and naturalism.
"Presentation of the Day" on February 14, 2014.
BY GERARD MOTONDI
@ VOL 5
ON FEB 20, 2015
Gerard Motondi walks us through his art. He was born and brought up in Kisii southwestern Kenya. He learnt stone carving from his grandparents through apprecentship program.
Holds a masters degree in sculpture specializing in public sculpture. He has represented Kenya in international sculpture symposium in China, Dubai, South Korea, India, Turkey, USA, Canada, Russia, Spain and Israel. His works are foung in public display and private collections in those countries.
This Visual Utopia: Limitless Art in the Twin Cities
BY TAMI MILLER
@ VOL 1
ON MAY 14, 2015
Tami Miller, curator at the Krasl Art Center, explores the potential visual utopia that is possible in the small lakeside town of St. Joseph, Michigan. What is possible if the world's great urban art makers enlivened our public spaces and architecture?
Spirit in Stone
BY JOHN OSMOND
@ VOL 4
ON APR 22, 2015
John Osmond displays his incredible stone creations that worship the gods of Mexico whilst living and breathing their culture for decades. It is difficult to comprehend that one man designed and built these sculptures in one lifetime whilst embracing another culture.
What Sculpture Gives to Me, What I Hope Sculpture Can Give to Everyone
BY BILL MCGRATH
@ VOL 3
ON MAY 12, 2016
Contemplating retirement after successive careers as an attorney then city administrator in his hometown of Batavia, Illinois, Bill McGrath has begun pursuing his love for art, specifically working in metal sculpture. Sculpture, like any artistic endeavor, presents the opportunity to express oneself to others, but also requires some emotional distance to remain true to one’s visions. He also shows how public art, sculpture in particular, can add to a community’s sense of place by speaking to values, history, and universal experiences, such as fear.
"Deus Ex Machina," "Hliehhan," "The Book," and Me
BY JIM JENKINS
@ VOL 4
ON AUG 11, 2016
Commissioned by the Aurora (Illinois) Public Library to produce a piece of public sculpture that illustrates the intersection of art and technology, James G. Jenkins produced three distinct yet related works of art: an outdoor public sculpture, an indoor “time machine / desk,” and a large medieval manuscript-like, artist-made book of collages. The latter work, which the artist describes as “graphplotfictionfacttotems,” illustrates the journey of creation, fabrication, and installation of the artworks at the library. It is an intentional, repetitiously redundant, self-referential echo.
Artwork in Public Places
BY GAIL SIMPSON
@ VOL 26
ON APR 12, 2018
Gail Simpson makes sculpture for public spaces as part of the collaborative team “Actual Size Artworks.” She's committed to the idea of artist as citizen, and she believes in the transformative potential of artwork in the community. She thinks public spaces should be meaningful, memorable, and dynamic. Her goal is to contribute to the common good by making the built environment more intentional. This presentation includes images of recent permanent and temporary projects.