Actor, director and theatre-maker Alice Canton shares with us quick handy tips on how to make a show. From rookies to veteran theatre creators, these pointers are insightful and probably applicable to the show you create everyday called life!
VIEW SIMILAR PRESENTATIONS
The Restoration of Heritage at the Arts Centre of Christchurch
BY ANDRE LOVATT
@ VOL 23
ON MAY 04, 2015
The Arts Centre in Christchurch is a neo-gothic campus, once hosting the local university, converted into a space for local artists to practise and showcase. Severely damaged in the Canterbury earthquakes, it is now going through an extensive restoration. Arts Centre CEO Andre Lovatt gives people an insight into the restoration of the Arts Centre, to explain what it is that they have been doing since the earthquakes, show the process visually and give an indication on the progress that is being made. Showing the love, care and attention that so many people are giving to their restoration work and how, when it is all done, the Arts Centre, and the Christchurch wider community, will be so much better for it.
Comedy in Lincoln
BY LIAM MITCHELL
@ VOL 3
ON OCT 07, 2015
Liam Mitchel, graphic designer by day creative and comedian around the clock, introduces us to HOW and WHO is helping curate the local comedy scene in Lincolnshire. He gives us a taste of his humour with a laughter-filled presentation. Go LACE!
Performing, Creating and Collaborating
BY CHRISTOPHER ALLERY
@ VOL 18
ON AUG 24, 2016
"The great thing about collaboration is that it is driven by structure."
In "Performing, Creating and Collaborating" from PechaKucha Night Sunshine Coast Vol.18, Christopher Allery has had a 20 year creative career that has focused on the art of collaboration. This began with an art show during his second year of his Bachelor of Arts (Visual Art). Staged at the Majestic Theatre in Pomona, Chris worked with fellow friends and fellow undergrads to create an immersive installation and performance incorporating found objects, artificial light, and original music which was performed on the Majestic’s grand piano. In this presentation, Chris shares collaborative relationships that he has explored have been fruitful but also stretched him sometimes painfully, but also professionally, and creatively.
Activating new audiences, hearing new voices
BY HOLLY CHAPPELL
@ VOL 30
ON MAR 15, 2017
After an experimental theatre performance, Holly Chappell-Eason and Tom Eason shares their vision for Christchurch to be the innovative theatre capital of New Zealand. They are determined to support theatre practitioners, educate young creatives and challenge how much a show reflects or deals with the lives of the audience and their city.
The story of Silk: How passion brings people together
BY CHLOE LING
@ VOL 4
ON APR 15, 2017
Chloe Ling first started her journey in dance in the bellydance genre. Here, she was introduced to a large repertoire of props usually used in the art. After delving deeper into the history of the props, she fell in love with their stories and how they come to represent the power passion has to connect and bond people
How Art can Help us Communicate and Reconnect with People
BY JEREMY KOCH
@ VOL 2
ON OCT 26, 2017
Jeremy Koch elaborates on how we, as a society, need to re-learn the art of communication in a world saturated with technology.
Creating performance entrepreneurs
BY LYNNE BRADLEY
@ VOL 24
ON NOV 14, 2017
Lynne Bradley has worked as a director, choreographer, performer and actor-trainer in Brisbane and abroad for the past 30 years. In 1992 she founded Zen Zen Zo Physical Theatre with Simon Woods, and spent two decades building Zen Zen Zo into an internationally renowned performance and training centre. Lynne is passionate about physical theatre, cross-cultural arts collaboration, innovation, sustainability, and mentoring - which is why she took on her current role running the new Master of Professional Practice (Performing Arts) at USC.
Her goal during the course of the one-year program is to assist emerging and mid-career artists to become more sustainable, using the model of the “Creative Entrepreneur”.