Julian Lian shares how conservation through the indigenous living culture is a greater and better methology to prevent climate change. This living culture has already been a part of the Bario Highland ecosystem, and it is crucial to raise the public awareness to preserve it before it is lost.
VIEW SIMILAR PRESENTATIONS
Eat, Know, Pick, Grow, Think Indigenous Food
BY LOUBIE RUSCH
@ VOL 36
ON NOV 10, 2015
Loubie Rusch recognizes the irony of living in such a vegetatively rich local as Cape Town, yet eatting virtually nothing from it. Loubie takes viewers on a brief and colourful exploration of a few indigenous plant foods, where to find them and a few ways to use them.
Indigenous People and Cultural Art
BY NICOLAS GALANIN
@ UNITED STATES ARTISTS 2014 ARTISTS ASSEMBLY
ON MAR 24, 2015
Nicolas Galanin was brought in a traditional creative environment. He studied Jewellery design and Silversmithing, and dedicated his life to the continium of cultural art and to regain the displacement of his culture. He is also a musician and is interested in creating progress for the next generation.
BY STACEY ROBINSON
@ VOL 16
ON APR 14, 2016
"The work becomes a conversation about class, race, gender and appropriation."
In Building Afrotopia from PechaKucha Buffalo Vol. 16, artist Stacey Robinson illustrates how speculating black futures became paramount in his artistic practice as a response to the global displacement of Black and Indigenous people. Robinson shares recent work, beginning with his current Pan-African flag series, representing nations where Black and Indigenous populations are controlled by extreme measures. Robinson then shares works from an in-progress book, 100 Afrofuturists Practitioners, depicting people building future spaces where Black peace exists using S.T.E.A.M (Science, Technology, Engineering, Art(s), and Math). Lastly, Robinson presents works inspired by the past Black Renaissance speculative Black Futures, with Afrofuturist digital collages inspired by Romare Bearden, James Denmark, Manzel Bowman, and other past and contemporary mixed media collage artists.
Community Radio: Making it as an Individual and as a Whole
BY OPHIRA HORWITZ
@ VOL 6
ON DEC 08, 2016
In the world of Netflix, iTunes and Facebook, how does community radio compete? Why should community radio compete? Local community radio coordinator Ophira Horwitz broadcasts her journey from biology student to Peach City, illustrating the bedrock community radio provides in isolated communities as an accessible, reliable communication platform to share and build art, vitality and culture, and the potential to build those things here in Penticton. Yes, there are pirates.
BY JACQUELYN CARDINAL
@ VOL 28
ON JUN 01, 2017
“Like many Indigenous youth these days, I grew up in the city. And I wonder every day, how can I better be an Indigenous person when everything has been paved over?”
Jacquelyn Cardinal, tech entrepreneur and nêhiyaw-iskwêw from northern Alberta, explores the journey that Indigenous and non-Indigenous Canadians must take together to fully realize the promise of Canada through understanding and putting into practice the Peace and Friendship Treaties.
Inviting the Indigenous Sports World to Edmonton
BY JODI STONEHOUSE
@ VOL 28
ON JUN 01, 2017
"We have to get back to that circle where we're sitting together because that was the intention—that we're all Treaty people. We have a responsibility and an obligation to the lands, the waters, to each other and to our children."
In "Inviting the Indigenous Sports World to Edmonton" from PechaKucha Night Edmonton Vol. 28, Jodi Stonehouse sheds light on the beauty of the World Indigenous Nations Games soon to visit Edmonton—what they mean for the city, for Indigenous peoples, and for every one of us looking to grow and reconcile together.
BY ALEX KRUIZE
@ VOL 8
ON JUN 08, 2017
Lawyer Alex Kruize speaks about indigenous rights on opposite sides of the world , New Zeland and Canada, and shares his observations on the similiarities and differences as well as offers advice as to what we can all do to help facilitate reconciliation.
Design and Resistance
BY LINDA KENNEDY
@ VOL 34
ON MAR 05, 2018
Linda Kennedy is Yuin, an Aboriginal Australian whose people have been living on their land since the first sunrise. Her talk shares the experiences of battling over land and how, as a designer, she looks at this land.
She is an architectural designer and design activist with a focus on decolonisation. Her independent design studio, Future Black, was established in 2017 as a development of her blog Future-Black.com - Decolonising Design in the Built Environment.