PechaKucha Presentation

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Vann Law

Storyboard artist / Animator in Kuching

Seeing Differently

PRESENTED ON JUL 01, 2016
IN KUCHING @ VOL 3

Vann Law shares learning to see the beauty in our ordinaries, and how we may use them to create something new. 

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Animation

BY SEBASTIAN ALVAREZ
@ VOL 14 ON FEB 28, 2012

Sebastian loves animation, and that could help explain how he ended up becoming an animator. He uses this presentation to describe the main principles behind animation, and shows how all animated forms (2D, CG) can be used to tell stories in original and creative ways. (in English)

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Principles of Animation

BY DANIEL MUÑOZ
@ VOL 14 ON FEB 28, 2012

Daniel Muñóz is a character animator, and in this presentation he explains the main principles and techniques required to produce animation work that manages to suck viewers in. (in English)

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Imagination in Animation

BY ALMOG MIZRAHI
@ VOL 117 ON SEP 24, 2014

Animation professor Almog Mizrahi, expresses himself through animation, and understands what goes into the cartoons that we see. He tries to push and challenge his students, and artists alike, to make from their imagination, and not what has already been made. 

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Filipino Comics & Animation

BY ARNOLD ARRE
@ VOL 5 ON MAY 22, 2015

Arnold Arre narrates his journey and vision in elevating Filipino comics and animation to the world stage.

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Behind 3D-Animation

BY DANIEL FLAX
@ VOL 7 ON MAR 20, 2015

Daniel Flax, Mitbegründer der Pixelworks Filmproduction berichtet über die unendlichen Möglichkeiten der 3D-Animation. Ob ein lächelnder Geko oder ein Flugzeugkampf, wo das Arbeiten mit echten Tieren oder gefährlichen Situationen schwer fällt, kann mit Hilfe der 3D-Animation alles möglich gemacht werden.

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Abstract Animation in Physical Space

BY AUZANI ZEDA
@ VOL 2 ON APR 01, 2016

Auzani Zeda expresses how nature and music inspires her abstract animation creations and how she translates it into physical visual and audio forms. She shows us how personal emotions bring to the creation of this new form of art that gives an out of the world experience to audiences and explains why it is kept in an abstract form.

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Advocacy through Animation

BY NEIA OMER
@ VOL 29 ON MAY 22, 2016

"When you educate a man, you educate an individual, but when you educate a woman, you educate a generation."

In Advocacy through Animation from PechaKucha Night Atlanta Vol. 29,  Neia Omer tells her story. Animation is a inclusive medium when one is trying to reach a large subset of individuals. What do you do and where do you start if you know absolutely ZERO things about animation? What is your subject matter? Neia Omer's story is a personal journey, a personal goal, a family legacy, and one of animation being the key to her brand of advocacy. 

This was "PechaKucha of the Day" on Monday, June 13th, 2016. 

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Females in Comics and Animation

BY MICHAEL CEBALLOS
IN HONOLULU

Women have been underrepresented in literature, comics, and animation.  In the Pacific, traditional indigenous ideals of female beauty have been marred by distorted western representations of exoticism, objectification, and sexualization. This team of creatives shares their thoughts about this problem, the work being done to change this, and their representations of ancestral female heroines and contemporary female superheroes in their comics and animated films. Michael CeballosMary Hattori, and Christopher Caravalho share. 

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Expressing Emotion Through Animation

BY RAFFAEL DREW
@ VOL 1 ON OCT 28, 2017

Raffael Drew knows he is very good at visual imagination since a kid, through time he learn and grow as an illustrator who put an emotion through pictures and animations. This presentation told us how important emotion in animation.