Illustrator, graphic designer, and artist Bradly Wohlgemuth unfolds fantastical sci-fi and horror stories through his art. Bradly walks us through the monstrous and mechanical world of Renegade Pencil and shares his work and imaginative points-of-view in this PechaKucha talk.

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Bradly's talk was recorded live at PechaKucha Night Winnipeg Vol. 34, on May 31, 2018, at the Park Theatre. 

For more information on PKN Winnipeg, follow us on Twitter (@pkn_winnipeg), Instagram (@pkn_winnipeg), or Facebook (www.facebook.com/pechakuchanightwinnipeg). PKN Winnipeg is presented by the Manitoba Chapter of the Graphic Designers of Canada.

Born storyteller, proud Northerner and stop motion animator; Designasaur started drawing from the minute that she learned to hold a pencil and never quite found the desire to put it down. Today, she makes films that would appeal to her five year old self and together, they make a great team. 

In this presentation, Designasaur (aka Lisa Kenney) talks about getting your hopes up, getting knocked back and carrying on regardless.

While you may have already heard about drag queen story times, it's important to hear about the impact it has had on families. Fay & Fluffy’s Storytime is an event that focuses around literacy and diversity that celebrates the differences. Listen to Fluffy’s talk to find out what impact it’s been made to the community.

French artist Hervé Humbert reproduces preexisting “classics” from design, architecture and art history. In his process of building a replica, he engages in a dialogue with the object, traces and manually repeats what is visible in the model. He interprets the precursor by his selection of materials and sizes, by transposing details and contexts, making everything, wherever possible, by hand. The replica is only identical to its precursor at first glance. It becomes an industrially unrepeatable unique through subjective perception and Humbert's specific handwriting.

フランス出身のアーティストHervé Humbertは、デザインや建築、美術史などに見られる既存の「古典」の新たな表現方法に挑戦しています。複製をつくる過程で、対象物と対話し、原型から見えてくるものを手作業でなぞることを繰り返しています。素材やサイズの選択、またディテールや文脈を置き換えることを通じて対象を読み込み、可能な限り全てを自身の手で制作しています。こうして制作される「レプリカ」が、対象と同一に見えるのは初めのうちだけ。作者の主観と固有の手つきから生まれる作品は、工業的に反復不可能な、唯一無二の存在となっています。