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HONOLULU Search Results: “printmaking”

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Skin Equality

BY SONNY GANADEN
@ VOL 17 ON APR 12, 2013

Sonny Ganaden is a printmaker, writer, and a lawyer. His talk is on skin and race as a sociological creation and the application of critical race theory to art as a way to deconstruct institutional racism and advocate for equality.

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Los Locos

BY SERGIO GARZON
@ VOL 18 ON AUG 16, 2013

During a lecture Sergio Garzon gave at the Pacific Health Conference in 2012,
he came across the idea that art therapy is a gentle, free and an evident cure for many mental illnesses, specially those dealing with social-dynamics. His “Los Local” presentation focuses on using art as a form of free health therapy on the streets.

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The Pacific Commercial Advertiser

BY MARIKA EMI
@ VOL 23 ON APR 10, 2015

Marika Emi has a BFA in Printmaking and BA in Women’s Studies from the University of Hawaii at Manoa. Her practice includes both studio-based components and public community projects. She talks tonight about ruminations, research, reactions and responses to Hawaii’s longtime English-language print newspaper, The Pacific Commercial Advertiser, and its ongoing role in the promotion of advertisement, development, and Western interest in the islands.

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Moku Hanga Printing at Events

BY CHAD WANTANABE
@ VOL 26 ON MAR 11, 2016

“What is that? Oh it’s just a stamp…no, it’s a woodblock print, wait, really!?!?”  That’s what artist, Chad Watanabe, experienced routinely in promotion and sale of his artwork.  So how do you fix that? Get interactive, get innovative....demonstrate and educate! Join us as he discusses his experiences, doing interactive printing events throughout Honolulu's greater community trying to spread awareness and gain appreciation for Moku Hanga. 

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Alder St. Workshops

BY DAVID RANDALL
@ VOL 26 ON MAR 11, 2016

David Randall works primarily in printmaking and sculpture using dark themes tied to social and economic status. He is currently a teaching artist at the Honolulu Museum of Art and a teaching assistant at the University of Hawaii at Manoa printmaking studio. David's talk will touch on The Honolulu Printmakers and the Hale Hilina’i aka Alder St. Facility, collaborated to create a printmaking workshop for at risk youth. 

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Printing in Rural India

BY DENISE KARABINUS
@ VOL 26 ON MAR 11, 2016

Denise Karabinus will share several innovative collaborative projects generated during this first ever community art residency in rural India. Gram - means - Village. and the Art Residency aimed to promote cross-cultural exchanges by providing a meeting point for artists in diverse fields to work side by side with artisans, children and residents in rural India with the purpose of creating small lasting changes in the community.

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.5 ppi Project

BY DUNCAN DEMPSTER
@ VOL 26 ON MAR 11, 2016

"The system is based on modular wood blocks, and it's intended for anyone to be able to access it. So people of all ages and all backgrounds can be quickly instructed in how to make a print like this."

In .5 ppi Project from PechaKucha Night Honolulu - Vol. 26Duncan Dempster introduced .5 ppi Project. .5ppi is an ongoing endeavor that generates collaboratively produced prints and installations revolving around the performative, reproductive, and repetitive aspects of printing and print culture. .5ppi means one half pixel per inch, which refers to the image resolution of the first .5ppi project. Duncan Dempster is a Honolulu-based artist and educator and is the executive director of Honolulu Printmakers.

This was "PechaKucha of the Day" on Thursday, June 9th, 2016.

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Carving Clarity

BY STEVEN KEAN
@ VOL 29 ON FEB 17, 2017

A Pennsylvania native residing on the North Shore of O‘ahu since 2008, Steven Kean is an artist working primarily in the woodcut method of relief printmaking.  His work is driven by a passion for the process and a love affair with the ocean.

Kean holds a B.S. in Art Education from Temple University and is a current member of the Honolulu Printmakers.  He teaches art to 4th and 5th grade students at Mililani Mauka and Sunset Beach Elementary Schools, and in the Museums outreach program.

In 2016 he was chosen as the featured artist of the Haleiwa Arts Festival and this year he is the official artist for the Vans World Cup of Surfing at Sunset Beach

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Animation Inspiration

BY MICHAEL CEBALLOS
@ VOL 30 ON MAY 05, 2017

"Our heritage gives life to our spirit." 

Socks, booze, family, landscapes, and lore......inspiration comes from many sources and leads to a wide variety of creative output.  In "Animation Inspiration" from PechaKucha Night Honolulu Vol. 30, three artists/animators will share various creative projects and the inspiration for their work.  We also share a sneak peek of animated films and virtual reality projects being shown in the upcoming Cultural Animation Film Festival at the Doris Duke Theatre.


Matthew Kawika Ortiz is a Hawai‘i-based artist who specializes in storyboards, illustration, graphic design,and printmaking. Mr. Ortiz started out his career interning and creating conceptual art for the Warner Brothers feature film Superman Returns, he also storyboarded for all three E Ho‘omau!, Ola Nā Iwi: Hāloa, and co Art Directed Maisa the Chamoru Girl who Saves Guåhan. Matthew is also one half of the art duo Wooden Wave which is known for their illustrations and murals of sustainable treehouses.

Michael Q. Ceballos was born and raised in Los Angeles, CA.  He has worked in animation industry for over 20 years. Among the many diverse projects he has worked on, there are a few notable highlights. In 2013, Mr. Ceballos formed Twiddle Productions Inc. where he produced and directed Ola Na Iwi: Hāloa and Maisa the Chamoru Girl who Saves Guåhan which won Best Short Film at the 2017 Pasifika Film Festival.


Mary Therese Perez Hattori
A native of Guåhan (Guam), she is one of nine children of Paul Mitsuo Hattori and Fermina Leon Guerrero Perez Hattori and resides on O‘ahu with her son and husband.  Dr. Hattori currently serves as Outreach Director for the Center for Pacific Islands Studies at UHM and is affiliated with the Doctorate in Professional Education Practice, the Indigenous Politics Program, and the Learning Design & Technology Program at UH.

 

SITEWIDE Search Results: “printmaking”

PAST VOL 3

San Luis Obispo
Apr 25, 2008

PAST VOL 1

Raglan @ Raglan Old School Arts Centre
Mar 05, 2010

PAST VOL 2

Richmond, BC @ Richmond Cultural Centre
Jul 12, 2013

PAST VOL 25

Honolulu @ Honolulu Museum of Art School
Dec 11, 2015

PAST VOL 26

Honolulu @ Honolulu Museum of Art School
Mar 11, 2016

PAST VOL 2

Flagstaff @ Dark Sky Brewing Co.
Jun 30, 2016

PAST VOL 21

Adelaide @ De La Liff
Aug 26, 2016

PAST VOL 16

Singapore @ National Gallery Singapore
Dec 02, 2016

17 OCT

NEXT PechaKucha Event

Powered by PechaKucha @ Taproom

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Gardens of Winter

BY HANNAH SKOONBERG
@ VOL 5 ON OCT 27, 2014

Hannah Skoonberg recently graduated from the Univeristy of Tennessee with an MFA in printmaking.  She is currently teaching printmaking classes at WKU. Here she speaks on her most recent exhibition, which explores the ideas of memory and object.

"Presentation of the Day" on November 19, 2014.

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Drive By Press

BY KATE DEDLOW
@ VOL 3 ON SEP 17, 2015

Drive by Press is a woodcut design and woodcut printed apparel store. Kate Dedlow shares about their carve and design process for t-shirts, posters, and accessories. 

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You Are Beautiful

BY MATTHEW HOFFMAN
@ VOL 34 ON JUN 02, 2015

Matthew Hoffman is the master of multiples - millions of his You Are Beautiful artworks can be found around the world - here's a bit about that, and some of his recent public art projects.

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Memory Imprints of Papua New Guinea

BY ULRIKE STURM
@ VOL 18 ON AUG 24, 2016

"Memories were triggered and ideas for drawing came flooded back into my mind."

In Memory Imprints of Papua New Guinea from PechaKucha Night Sunshine Coast, visual artist Ulrike Sturm focuses on her work with artist’s books, printmedia, and visual narratives. As a teen Ulrike lived in the Highlands of Papua New Guinea (PNG). The impact of that amazing experience never really left her and she cherished the vivid childhood memories she had of those years. It is perhaps strange then, that she didn’t go back there for such a long time, only once until two months ago. Ulrike’s Pecha Kucha talk is therefore about her recent trip to PNG, what adventures she encountered, and how all this relates to her creative practice as a visual artist.  This includes her ephemeral vinyl artworks – many of which draw on memory and are destroyed at the end of the exhibit. 

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Time and Tide

BY JO ATHERTON
@ VOL 7 ON SEP 27, 2016

Artist Jo Atherton highlights the diversity of plastic objects washing ashore on the British coastline, and how the ubiquity of this material enables us to reinterpret stories of our time. Millions of years ago, fuelled by sunlight, marine plankton flourished and then settled on the ocean floor, slowly transforming into oil. This same oil is used to produce the endless plastic objects that dominate our everyday lives. When inked and printed, plastic flotsam fragments bear a stark resemblance to the rich diversity of microscopic marine life - a worrying and ironic connection to a beautiful natural process. 

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Lithographic Printing From Pink Tennessee Marble

BY BEAUVAIS LYONS
IN KNOXVILLE

In August 2016, Kate Katomski collaborated with master printer Beauvais Lyons to create a series of prints for Quarry Project – Tennessee. A variety of methods were used, but most include a lithographic run from pink Tennessee marble, positive photo-lithography & monoprint. This collaboration is part of Kate Katomski’s Quarry Project, featured in November 2016 with a video and audio projection on the Knoxville Museum of Art, and exhibitions at the Museum of East Tennessee History and the Knoxville Museum of Art related to the history of the marble industry in East Tennessee. In this presentation Beauvais Lyons shares the history of the marble industry in East Tennessee and the process behind the work featured as part of Quarry Project - Tennessee.

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PKN Raglan Vol. 1

Raglan recently hosted its very first PechaKucha Night, and here now is a look at how things went courtesy of a report sent in by organizer Rodger Gallagher. Last night's first PechaKucha Night at the Old School Arts Centre was a great success with standing room only in the theatre room. The evening started with David Wimmer giving his presentation on the work that he and Frank did in Samoa helping the Samoans rebuild 'upstairs' after the tsunami. Dirk de Ruysscher covered the very interesting bike ride he has developed to the Nikau cave near Port Waikato. The trip includes harbour crossing and two days riding on metal roads with some amazing scenery along the way and of course an unspoilt cave at the overnight stop. Jean Carbon finished the first half with her presentation on traditional textiles along the Silk Road. The 'Beer Break' proved very popular and it was difficult to get the audience back for the second half. Pieter ten Broek's photos of board and kite sports around Raglan drew gasps of amazement from the audience. Wanda Barker provided a contrast with her history of Femme Art and the proposition that it needs to be revitalised. Hilary Ramage covered creative development through a series of prints. Finishing the night was Jon Berczley who took us right from the seed through to putting food on the plate with his gardening passion. Arts Council Chairperson, Rodger Gallagher said that the PechaKucha Night was one of the most successful events held at the Arts Centre and everybody is keen for the next evening on the 4th June. Full list of presenters: - David Wimmer on the rebuilding work he helped with after the Samoan tsunami - Amanda Watson on creating her paintings - Dirk de Ruysscher on mountain biking around Whaingaroa - Rodger Gallagher on the evolving architecture and use of the Old School since 1883 -- including 1st public viewing of plans recently discovered in the National Archives - Linda Holmes on favourite photos - Jean Carbon on textiles along the Silk Road - Pieter ten Broek on surfing, kite and skate boarding in Raglan - Wanda Barker on Femme Art - Yann Bordier on living and sailing in the Caribbean - Sioux Swann on Ruapuke Sunsets - Hilary Ramage on creative printmaking - Jon Berczely on seeds Below, a look at the flyer for PKN Raglan Vol. 1.

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Gardens of Winter

“What caught my eye was the border between the man made landscape, and the natural landscape.” Printmaking MFA graduate Hannah Skoonberg speaks on her art work, which explores the concepts of memory and object. In “Gardens of Winter” from PKN Knoxville Vol. 5 she speaks about how her art — composed mostly of paper — is fragile, vulnerable, and though based on real-life useful objects is unusable due to the material used in its construction.

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How To Make Printmaking Accessible To All

"Our goal is to teach people how to run the presses and then allow you guys to come in here and use them for your own purposes."In How To Make Printmaking Accessible To All from Knoxville, Vol. 14, Bryan Baker shares his collaborative printmaking project and garage-turned-studio-workspace-gallery-space, Striped Light. Team headquarters for a trio of creative minds, they will be publishing, collaborating, and exploring tangents of their own volition as works are developed for the Striped Light catalog and portfolio, at the same time opening their printshop to the public for learning workshops. The team of experienced printers will also be available for hire, offering limited-edition custom letterpress design and printing for events, business ephemera, and artistic ventures.

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Art En Vivo

"We're creating a body of work that people need to know about outside of El Paso, and [Art in Vivo] is going to facilitate us being able to do that."At PechaKucha Night El Paso Vol 13, Jonathan Childress shares on Art En Vivo, a weekly live screen printing project hosted by Proper Printshop. Its aim is to promote the craft of printmaking, empower artists, and engage the community to engage with art.  The project will feature 52 artists in 2016 and travel the world beginning in 2017.