SITEWIDE Search Results: “colors”
Mar 31, 2011
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designforum Vorarlberg @ CAMPUS V
Oct 24, 2013
designforum Vorarlberg @ CAMPUS V
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Jul 09, 2016
Dublin Cafe & Irish Pub
Mar 04, 2017
Nashville @ Studio 615
Paper - Rainbow and Cities
BY MAURICE MADEMOISELLE
@ VOL 10
ON JUL 01, 2015
Three Cups of Tea
BY EMMA EXLEY
@ VOL 7
ON DEC 04, 2015
Emma Exley traces the history of Africa's last colony, the Western Sahara, located on the continent's northern coast. Through images of traditional Sahrawi architecture and culture, we learn about the challenges of desert living, and how something as small as a cup of tea has massive significance in the every day life of the Sahrawi people.
Emma Exley is a creative designer, former art educator, and diving enthusiast. After first discovering PechaKucha Night in Chicago in 2007, it was only a matter of time before she founded the Brooklyn chapter in 2014.
The United Nations of Food
BY CHARLES BIBILOS
@ VOL 7
ON DEC 04, 2015
Hear Charles Bibilos, writer of the United Nations of Food blog, talk about his quest to eat food from every country in the world (160 countries), without ever leaving New York City. Yum!
Help Charles finish his quest! Help him eat: East Timor, North Korea, Papua New Guinea, Kuwait, Oman, Qatar, Saudi Arabia, United Arab Emirates, Nicaragua, Costa Rica, Botswana, Burundi, Central African Republic, Djibouti, The Gambia, Kenya, Mauritania, Mauritius, Namibia, Republic of the Congo (Congo-Brazzaville), Rwanda, Swaziland, Togo, Uganda, Zambia, Zimbabwe
If you can help, or want to go out to eat with Charles, email him at email@example.com
Playing with Colour
BY BACKOFFICE (CORYN KEMPSTER & JULIA JAMROZIK)
@ VOL 15
ON FEB 04, 2016
"Colour often comes down to strategically finding the moments that change in a faster time scale."
In Playing with Colour from PechaKucha Night Buffalo Vol. 15, the artist/designer team of Julia Jamrozik and Coryn Kempster (known as BACKOFFICE) talk about their recent project, LINE GARDEN. In 2014 Jamrozik and Kempster used 500 wooden stakes to weave a mile of colourful plastic barrier tape into an occupiable, abstract field at the International Garden Festival at Reford Gardens/Les Jardins de Métis. They speak about the making of the installation, LINE GARDEN, and it’s adaptation for the 2015 edition of the festival, together with other related projects.
Full Ashtrays & Bananas
BY ALESSIO DE VECCHI
@ VOL 142
ON DEC 14, 2016
"I always have the need to explore isolated spaces, deserted landscapes, and inject some surrealism"
In Full Ashtrays & Bananas at PechaKucha Night Tokyo Vol. 142, CG artist and director Alessio De Vecchi explores the late night creation process of personal content during the downtime between commissioned projects. His work explores the intersection of physicality and the ethereal using textures, the human form, and puffs of otherworldly smoke throughout.
This was "PechaKucha of the Day" on Friday, January 27th, 2017.
From Barrel to Bottle
BY WILL DRUCKER
@ VOL 17
ON MAR 09, 2017
Will Drucker is a sustainability practitioner and whiskey lover. At PechaKucha Night NYC, Will takes us through the history and process of whiskey making - from the tree to the bottle!
Will is devoted to building businesses that support the circular economy. Will hails from the cities and farms of the Midwest. College took him to Vermont where he studied neuroscience and deepened his love for the natural world. Will can't resist music, birds, biking, good food and adventure.
From Model to Installation
BY MICHAEL SZIVOS
@ NEW YORK BUILD
ON MAR 16, 2017
Michael Szivos is the founder of SOFTlab, a New York City based design studio that combines research, technology, and ideas to craft work that spans multiple mediums and scales. In 2012 SOFTlab was awarded the Architectural League Prize for Young Architects & Designers, and in 2010 the studio was selected, along with seven other young studios, for the New Practices New York award by the AIA Chapter of New York. He also teaches at Pratt Institute and Columbia University.
Hats Hats Hats
"I'm into the idea of being a Manhattan Mad Hatter."
A RISD graduate and recipient of the 2012 MET Museum Costume Institute Accessory Design Award, HEIDI LEE is a NYC-based artist and designer whose hats have featured in VOGUE, V, W, Visionaire, Dazed & Confused, MTV, SHOWstudio, NYT, New York Magazine, The Creators Project, etc. Exhibitions include MOSI Museum’s “3D Printing the Future” and MAD Museum’s “MAD Biennial: 100 Makers that manifest the cultural capital of NYC." Her clientele include Anne Hathaway, Madonna, G-Dragon, Lady Gaga, Missy Elliott and Lauryn Hill.
From Sketch to Store: Designing a Dress
BY NIYATI KARWAT
@ VOL 18
ON MAY 18, 2017
NIYATI KARWAT was on her way to medical school, but after studying abroad in Cypus, she decided to follow her true love. She enrolled at Parsons and now 8 years later is a designer at Tracy Reese. Hear how her travels and art inspire creating women's wear.
Islamabad - The Beautiful
BY MICHELLE TANIA BUTT
@ VOL 156
ON APR 13, 2018
PechaKucha Night Islamabad organizer Michelle Tania Butt helps you explore the young capital city of Pakistan. The first PechaKucha city from the country, Islamabad is a picturesque, serene, compact city that embodies the diversity of the country. A city rife with arts and culture and home to many of the country’s artists, artisans, creative thinkers, and performers.
SITEWIDE BLOG POSTS
PKN Cologne Vol. 4
Photos from last week's PechaKucha Night in Cologne Vol. 4 are now up on Flickr, and as you'll see from the photoset, it was another great showing at the Atelier Colonia venue, which even ended up spilling out on the street. Below, a few photos from the evening that was.
Animated Graphics for Australian TV, an Intro the Color Wheel, and a Doom Clock from Vladimir
Presentations Tim Costello has worked in Australia's television industry for the past 10 years, creating animated graphics for a variety of TV shows, which he shares in this presentation (from PKN Tokyo Vol. 93). He also worked on the feature film Where the Wild Things Are. In her presentation (in German, from PKN Aalen Vol. 6), Annegret Barth wants to introduce us to the interplay of colors. Using photos from nature, Annegret walks us through the development of the color wheel and its possible applications. (in German) We don't have a full presentation to share, but PKN Vladimir organizer Boris Matin has sent us the following photos (above) and description of this rather interesting participant at the city's recent Vol. 6.Sergei Karelin is a silversmith and goldsmith, a member of the Union of Artists of Russia, and an academic at the Petrovskaya Academy of Science and Art in St. Petersburg. The clock (in the photos) shows the countdown of the time from the moment of the Birth of the Earth to the moment of its collapse, owing to its inevitable approach to the Sun. The work calls for the drawing together of world religions, the union of all nations, and the immediate stop of all war conflicts in the face of the fatal disaster. Posters We have two new posters on the Tumblr blog today, one for this month's PKN Waterville Vol. 8 (pictured above), and one for PKN Chattanooga Vol. 11, also happening later this month. Video Pisa's Vol. 2 is happening this Friday, and today we have a video promo to share for the event. Calendar On this 4th of July, we may not have any PKNs happening in the US, but we do have these two events: PKN Amsterdam Vol. 22 and PKN Utsunomiya Vol. 1. Tomorrow, you can look for the following: PKN Semarang Vol. 9, PKN Augsburg Vol. 1, and PKN Las Palmas Vol. 7.
In this presentation from PKN Blue Mountains Vol. 3, world renowned glass artist Keith Rowe discusses his favourite thing, color, which he gets to work with on a daily basis.
A Crash Course in Independent Filmmaking
Running through the woods with a hatchet, setting stuntmen on fire -- ah, the life of a filmmaker. Kristin Wright goes into great depth on her experiences working on her own films. In "A Crash Course in Independent Filmmaking" from PKN Atlanta Vol. 20, she talks about how to write great characters, the challenges of directing actors, and what's involved in the production process. Kristin touches on the good and bad points of being an independent filmmaker and gives us some invaluable tips on how to make the most of your work.
How to Choose an Online Course
Positive and active guest from Kiev, Yuri Pidriz, CEO YPA Publishing House, in his presentation from PKN Dnipropetrovsk IT::Education gives professional advices how to choose the right online course and revealed trends of online education.
Just what is colour anyway? It all started with a surgery to remove Carly Blackman’s thyroid in 2012. In “Colour Decoded” from PKN Toronto Vol. 32 we see that this was the beginning of Carly’s years-long journey of research, writing, and designing for a book focused on the science of colour intended for the more “right-brain” inclined individual.
Concrete Jungles of Color
Can graffiti create value in the city it’s located? The artist DAAS speaks about the issue of graffiti, and some great ways to revive the dreary cityscape around us. In “Concrete Jungles of Color” from PKN Osaka Vol. 7 he discusses Art OH! a program bent on involving the community with the goal of creating large-scale works of art around the city.
PechaKucha Flying Colors!
Last week PechKucha Night Tokyo flew is colors loud at proud at Tokyo Design Week for their Vol. 129 Special and largest PKN of the year! A Fuji Mountain of thanks goes out to all the amazing people, from speakers, to guests, to producers who helped make it an amazing night! Stay tuned for more updates!
Musings on the Colour Red
"Blood is maybe redder than red, because of it's associations in art and in culture."Tom Heatley's presentation "Musings on the Colour Red" from PechaKucha Night Bexhill-on-Sea Vol. 1 opens with the most essential image of the colour red in photography: the safe light in a darkroom, and moves through a collection of images and wide ranging associations with blood, danger, sex, sacrifice, socialism and courage.
The Creative Evolution of the Coloring Book Lady
"If anybody would ask me what I wanted to be when I grew up I would say 'I want to go to the Royal College of Art in Kensington Gore.' I had no idea where Kensington Gore was. I didn't care where it was, I just wanted to go there. I had a book about from the Royal College of Art and I loved the people in it, and I wanted to be one of those people." In The Creative Evolution of the Coloring Book Lady from PechaKucha Night Bexhill-on-Sea Vol. 1, Mel Elliott takes us on a journey from her childhood dream to attend The Royal College of Art, to an early project for an advertising agency, to self publishing a Kate Moss colouring books and beyond. She continues to grow her business "I Love Mel" and practice, developing a range of products including temporary tattoos, t-shirts and card games.