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SITEWIDE Search Results: “University at Buffalo”

PAST VOL 3

Buffalo @ Soundlab
Apr 21, 2007

PAST VOL 5

Buffalo @ Soundlab
Oct 12, 2007

PAST VOL 8

Buffalo @ Hallwalls Contemporary Arts Center
Nov 15, 2008

PAST VOL 9

Buffalo @ WNYBAC - Western New York Book Arts Center
Feb 13, 2010

PAST VOL 13

Buffalo @ Asbury Hall at Babeville
Apr 12, 2013

PAST VOL 14

Buffalo @ The 9th Ward at Babeville
Nov 17, 2015

PAST VOL 15

Buffalo @ The 9th Ward at Babeville
Feb 04, 2016

PAST VOL 16

Buffalo @ The 9th Ward at Babeville
Apr 14, 2016

PAST VOL 17

Buffalo @ Albright-Knox Art Gallery
Sep 15, 2016

PAST VOL 18

Buffalo @ Hayes Hall
Sep 24, 2016

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Wanderlust

BY RACHEL ADAMS
@ VOL 14 ON NOV 17, 2015

Rachel Adams 
Associate Curator
UB Art Galleries, University at Buffalo

Rachel Adams discusses her forthcoming exhibition at the University at Buffalo Art Galleries, Wanderlust. This exhibition will be a survey of actions, showcasing the variety of artists exploring and creating work in an outdoor setting, which range in medium from drawing, photography, sculpture, installations, film, and video to performance and social practice taking place in both urban and rural landscapes.

For more information about the UB Art Galleries, visit www.ubartgalleries.org.

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Litany: An Aggregation of Everything

BY PAUL LLOYD SARGENT
@ VOL 14 ON NOV 17, 2015

Paul Lloyd Sargent
Artist & PhD Candidate, 
Department of Media Study, University at Buffalo, Erie Basin Meets Erie Basin: Artificial Corridors

Tracing environmental disaster, uneven development, and the externalities of global capital from the eastern shores of Lake Erie to the banks of Newtown Creek via the NYS Canal System, Paul Lloyd Sargent practices an embodied media archaeology atop piles of the debris of history.

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Out of Plane

BY DANIEL VRANA
@ VOL 14 ON NOV 17, 2015

Daniel Vrana
Adjunct Researcher, 
Buffalo School of Architecture and Planning, University at Buffalo
 
The research presented in Daniel Vrana's Out of Plane examines the potential for kinetic expanding geometries to be used as a means of rationalization for complex curvature. Utilizing origami assemblies, a technique of manipulating internal forces acting on individual units is used rather than controlling the system’s form externally, inducing small shifts that inform the larger, global form changes that are able to occur.  
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How One Man on a 75-Pound Bicycle Took a City's Temperature

BY NICHOLAS RAJKOVICH
@ VOL 16 ON APR 14, 2016

"How do we start thinking about heat waves and why are heat waves so important?"

In How One Man on a 75-Pound Bicycle Took a City's Temperature from PechaKucha Buffalo Vol. 16, architect and University at Buffalo Professor, Nicholas B. Rajkovich describes the design of a bicycle-based weather station used to find the “hot spots” of Cuyahoga County, Ohio. Every year in the United States, more people die from heat waves than any other type of natural disaster. Extreme heat events are expected to increase in the future due to climate change. Collecting a fine scale of microclimatic data can help to determine how physical characteristics contribute to human exposure to ground and air temperatures. These data also suggest how urban design strategies can reduce the impacts of the urban heat island effect. However, microclimate measurement poses substantial challenges. Rajkovich’s work investigates the intersection of energy efficient buildings, renewable energy, and climate change resilience.

This was "PechaKucha of the Day" on Tuesday, June 14th, 2016. 

 

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A Wall and A Column: 2 Projects

BY ANG LI
@ VOL 16 ON APR 14, 2016

"A wall and a column...what they have in common is an interest in looking at the cultural agency of traditional building materials and their ability to speak."

In A Wall and A Column: 2 Projects from PechaKucha Buffalo Vol. 16, architect and University at Buffalo Peter Reyner Banham Fellow and Visiting Assistant Professor Ang Li presents a pair of site specific installations that explore the cultural agency of vernacular building materials. Horror Vacui is an installation in Lisbon, Portugal that examines the ability of building facades to “speak” through the medium of the Portuguese “azulejo” - hand-painted ceramic tiles often depicting scenes from historic or civic events. The piece explores the narrative potential of bricks and mortar within contemporary image sharing and crowdsourcing platforms. No Frills is an installation in Buffalo, New York that stems out of an interest in the industrialized production of terracotta in the 19th century as a new kind of ornamental language. In a semi-abandoned Chevrolet Factory by the architect Albert Kahn, a 13-foot column interrupts the existing grid of the assembly floor,  acting as a bridge between the vast scale of obsolete industry and the human scale of the architectural ornament.

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Foraging and Picking

BY BRIAN CARTER
@ VOL 17 ON SEP 15, 2016

"Architects are hunters and gatherers." 

In "Foraging and Picking" from PechaKucha Night Buffalo Vol. 17, professor of architecture Brian Carter provides a retrospective of twenty postcards from his many travels, highlighting what each image signifies in the mind of an architect. Carter reminds us that architecture can be an international language. It prompts travel, causing us walk into buildings, to meet people, and to listen, sense and smell the places that we go. 

This was "PechaKucha of the Day" on Monday, November 21st, 2016. 

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Return of the Master Builder

BY MATTHEW HUME
@ VOL 17 ON SEP 15, 2016

"I tell people I wear two hats—one of the designer and one of the builder, but as I evolve I wish to wear one hat, that of the Master Builder."

In the Return of the Master Builder from PechaKucha Buffalo vol. 17Adjunct Assistant Professor, University at Buffalo School of Architecture and Planning and Owner/Principle of HUME PROJECTS, LLC, Matthew Hume discusses his work creating residential and commercial projects, from the design phase through the construction phase. The traditional Master Builder once integrated both design and construction processes by direct involvement. The profession of architecture and processes of building are shifting back toward a more integrated approach forcing architects to re-evolve into earlier versions of themselves. Hume's recent work in design and construction projects serves as an example of this paradigm shift.

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Ceramic Assemblies

BY LIMINAL PROJECTS (OMAR KAHN AND LAURA GARÓFALO)
@ VOL 17 ON SEP 15, 2016

"Ask a ceramicist and they will insist that the material lives."

In Ceramic Assemblies from PechaKucha Buffalo vol. 17, Laura Garófalo and Omar Kahn of Liminal Projects discuss their prototypes for ceramic building systems that were developed at the European Ceramics Workcentre (ekwc), in Oisterwijk, the Netherlands. They are designs that explore ways that architecture can mediate heat, water and nature. Ceramics, which are fired clay, are one of the oldest building materials. But they defy easy categorization because their behavior and properties are so diverse. Ceramics were used to build the Roman aqueducts and also used for the heat shield on the Space Shuttle. Ask a ceramicist and they will insist that the material lives. It is this quality that Garófalo and Kahn want to capture and perpetuate in their work.

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Collage City

BY JEAN-MICHEL REED
@ VOL 17 ON SEP 15, 2016

"An architect, it seems, has to be an optimist and idealist. That by building we're somehow making the world a better place. But before you need buildings, you need people."

In Collage City from PechaKucha Buffalo Vol. 17, artist, designer, realtor and retired paramedic, Jean-Michel Reed, shares stories and perceptions of Buffalo, New York as an intimate outsider. Reed moved to Buffalo in 1992, working first as a paramedic, and later transitioning to both a designer and a realtor as the city attempted an about face. Cites are made first of people, and then within those individual people, of experiences. It is this combination of convergent and divergent experiences that construct the sociological makeup of place and city, which, in turn manufactures the physical landscape. 

This was "PechaKucha of the Day" on Wednesday, December 14th, 2016.

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Complicating Things: Experimenting with Authority

BY PAUL VANOUSE
@ VOL 17 ON SEP 15, 2016

“I’m a bio media artist. And what that means is I work self-reflexively, with the tools and technologies of the life sciences.” 

In Complicating Things: Experimenting with Authority from PechaKucha Buffalo vol. 17, Professor of Art at the University at Buffalo, Paul Vanouse, provides an overview of his work as a bio media artist. As Director of the newly created Coalesce Center for Biological Art at the University at Buffalo, Vanouse works with artists and philosophers and people who wouldn’t normally have a direct connection to do create work in a life sciences laboratory, and is actively engaged with Coalesce’s artist residency program. Vanouse’s own work has recently focused on DNA fingerprinting, removing the inherent layers of authority from DNA with an interest in the very visual representation of DNA. His recent projects, Latent Figure Protocol and Ocular Revision use molecular biology techniques to challenge “genome-hype” and to confront issues surrounding DNA fingerprinting. 

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PKN Posters: Buffalo Vol. 13

Buffalo, NY will be hosting their Vol. 13 evening in conjunction with the 66th Annual SAH (Society of Architectural Historians) Conference. The PKN Buffalo event will be held this Friday, April 12th in Ashbury Hall and will include presentations from architects, professors, urbanists, artists, and more.  To see more great posters from PechaKucha Nights all over the world, check out our Tumblr blog.

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Realizing Good Ideas

"It's not enough to have a good idea. To realize that good idea is very difficult, and that's what I work hard to do". In Realizing Good Ideas from PechaKucha Night Buffalo Vol. 14, Chris Siano shares how he uses digital design and fabricatio to make things better, whether it is a public art installation, a student sculpture project, a building or a neighborhood. For the past twelve years he has served as an Instructional Support Technician in the University at Buffalo Department of Art. In 2005 he formed The Foundry Group Inc. - a company specializing in art and architectural fabrication. And in 2012, in partnership with his brother Matthew, he formed HES Properties - a real estate development company focusing on development of mixed-use properties on Buffalo's West Side. All of these endevours are conduits for great ideas in his community to come to fruition. 

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20 Months

"As newcomers in a city we should step back, clear our minds and look for clues. What do we see? What can't we see?"In 20 Months from PechaKucha Night Buffalo Vol. 15, urbanist Antonina Simeti reads excerpts from her diary of experiences and perspectives drawn from the past 20 months living in Amsterdam, Berlin and Buffalo. Through everyday observations of the physical realm, Antonina tries to uncover and understand how cultural, political and economic values and systems are expressed in our cities. 

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City Focus: Buffalo

PechaKucha's City Focus heads to the New York's "Queen City", AKA, "The City of No Illusions, AKA "Nickel City", "The City of Good Neighbors." No matter what you call it, PKN Buffalo runs hands-down a top-notch event. Check our presentations from their recentl Vol. 16. 

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How One Man on a 75-Pound Bicycle Took a City's Temperature

"How do we start thinking about heat waves and why are heat waves so important?" In How One Man on a 75-Pound Bicycle Took a City's Temperature from PechaKucha Buffalo Vol. 16, architect and University at Buffalo Professor, Nicholas B. Rajkovich describes the design of a bicycle-based weather station used to find the “hot spots” of Cuyahoga County, Ohio. Every year in the United States, more people die from heat waves than any other type of natural disaster. Extreme heat events are expected to increase in the future due to climate change. Collecting a fine scale of microclimatic data can help to determine how physical characteristics contribute to human exposure to ground and air temperatures. These data also suggest how urban design strategies can reduce the impacts of the urban heat island effect. However, microclimate measurement poses substantial challenges. Rajkovich’s work investigates the intersection of energy efficient buildings, renewable energy, and climate change resilience.  

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Buffalo Vitascope: The Story of the World's First Movie Theater

"The world's first movie theater was in Buffalo, New York." In Buffalo Vitascope: The Story of the World's First Movie Theater from PechaKucha Buffalo Vol. 16, comedian and cartoonist Pat Kewley tells the true story of Vitascope Hall, which opened on Buffalo, New York's Main Street in 1896 and was likely the world's first permanent, specially constructed movie theater. Using period photographs, newspaper clippings, and his own cartoon drawings, Kewley spreads the word about Buffalo's amazing & unique place in film history, touching on the early days of moviegoing, the first films, and the unsung Buffalonians who helped pioneer the film industry in our own backyard.

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Design Life

  "I'm interested in the peaceful, private experience between each piece and its user." In Design Life from PechaKucha Night Buffalo Vol. 16, designer and principal of Manuel Barreto Studio, Pedro Manuel shares a poignant and personal glimpse into his inspiration and practice, from Portugal to Buffalo, exploring how design affects our lives and the relation between the user and the environment.

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Collage City

"An architect, it seems, has to be an optimist and idealist. That by building we're somehow making the world a better place. But before you need buildings, you need people." In Collage City from PechaKucha Buffalo Vol. 17, artist, designer, realtor and retired paramedic, Jean-Michel Reed, shares stories and perceptions of Buffalo, New York as an intimate outsider. Reed moved to Buffalo in 1992, working first as a paramedic, and later transitioning to both a designer and a realtor as the city attempted an about face. Cites are made first of people, and then within those individual people, of experiences. It is this combination of convergent and divergent experiences that construct the sociological makeup of place and city, which, in turn manufactures the physical landscape.

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PechaKucha as a university contest

PechaKucha became a popular in Zaporizhzhya. We made an experiment and organized PechaKucha at Zaporizhzhya National Technical University PechaKucha: urban stories for students as a contest. The best speaker of PechaKucha at University became guest speaker at PechaKucha Night Vil.4: urban stories. After selection 12.12.16 at Zaporizhzhya National Technical University we invited 2 students: Nikita Nosov and Dima Beluchov as guest speakers for PechaKucha Night 17.12.16    

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PechaKucha People: Joanna Gillespie

Joanna Gillespie steals the PechaKucha People Spotlight this week. An independent consultant and project manager for the arts & culture sector, she co-organizes PechaKucha Night Buffalo (along with Nick Bruscia, Clinical Assistant Professor, University at Buffalo Department of Architecture). From the early days of fastening a projector to a bar stool with duct tape, to the recent PechaKucha Buffalo 10th Anniversary celebration at Buffalo's esteemed Albright-Knox Art Gallery, Joanna sees PechaKucha as a way to bring different groups together to share ideas. "Sometimes creative people are so engrossed in their own work they don't have an opportunity to connect with the larger community. PechaKucha is a space for architects, actors, artists and activists to share ideas and maybe even spark a collaboration. That's what inspires us to keep organizing events." We couldn't be more proud of Joanna's PechaKucha Passion! Way to go PechaKucha Buffalo Team!