SITEWIDE Search Results: “European Ceramics Workcentre”
Feb 20, 2008
Cité du design
Jun 29, 2011
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Jan 25, 2013
Jun 05, 2014
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Oct 18, 2014
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Hazelhurst Regional Gallery & Arts Centre
Jan 30, 2015
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Sep 25, 2015
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Sep 30, 2016
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Office of Region Emilia Romagna to the European Union
Nov 17, 2016
Life after Ceramics
BY JILL ROUNDS
@ VOL 9
ON APR 04, 2013
Jill Rounds talks about her life after ceramics, and the various mediums she has explored since she left her ceramic tile business. She focuses mainly on painting and book arts, and shows several of her personal projects, many of which focus on themes of peace and spirituality.
Cascade Artist Studio
BY JACQUELINE SPEDDING
@ VOL 9
ON FEB 28, 2014
Artist Jacqueline Spedding introduces the warehouse she and a friend recently transformed into a working studio space in 2012. Cascade Studio in Blue Mountains hosts a range of talented artists- the most recent visiting artist came from South Korea.
BY KARISSA CHASE
@ VOL 5
ON JUN 05, 2014
Karissa Chase is a Townsville girl who fled the city after graduating from high school, moved to Brisbane to study ceramics and hasn't looked back. After deciding to be a potter at the young age of 16, Karissa pursued her dream to do so. After graduating art college in Australia, America gave her the opportunity for love and the chance to introduce her ceramic work. Working with either the wheel or a rolling pin, each piece is not only cute, but how fortunate Karissa is to do what she loves.
Fire and Life
BY JON VONGVICHAI
@ VOL 22
ON DEC 12, 2014
Upon completion of Jon’s BFA in Ceramics he came to work here at the Art School as an instructor and eventually become part of the full-time staff as the Ceramics Program Manager. Jon continues to create his ceramic works and is featured in exhibitions throughout the island.
Creating a European Television Network
BY CAMPUS EUROPE
@ VOL 26
ON APR 09, 2015
The idea behind CampusEurope originated from a local student TV in Maastricht (BreakingMaas). During the process of making BreakingMaas a sustainable project, the group of students started to discover other Student TVs around the Netherlands. It was with this discovery that they had the idea to try and create a network of student TVs that would produce a European student television show.
One of the questions they asked themselves is: why do we feel the need for a European student television show? They could have pursued media projects through their local student TV, which would have allowed them to produce local reports in better quality and with less work.
However in a more connected Europe where one sees governments in dispute with each other, and where news is limited to national perspectives, the students felt the urge to produce content which would allow them to understand multiple perspectives on a European issue.
This is where the project is of great significance; CampusEurope give students from all over Europe a stage to voice their opinions on a political, social and economic subject, which in the end affects all Europeans, no matter how far they live from each other. That’s why they believe that CampusEurope provides the essential platform to exchange opinions and find a common ground in an interconnected world.
Glass and Ceramics Come to Life
BY LOUISE IRVINE
@ VOL 31
ON AUG 26, 2015
Louise Irvine, Executive Director of the Wiener Museum of Decorative Arts (WMODA), talks about the new museum in the heart of Dania Beach, Florida. The museum's Staffordshire collection includes Wedgwood, Royal Doulton, Moorcroft and tells the artisan's stories of George Tinworth, Daisy Makeig-Jones and the Martin Brothers who brought the British ceramics to life. Dale Chihuly and Ardmore Ceramic Art are also well represented at the musuem.
BY LIMINAL PROJECTS (OMAR KAHN AND LAURA GARÓFALO)
@ VOL 17
ON SEP 15, 2016
"Ask a ceramicist and they will insist that the material lives."
In Ceramic Assemblies from PechaKucha Buffalo vol. 17, Laura Garófalo and Omar Kahn of Liminal Projects discuss their prototypes for ceramic building systems that were developed at the European Ceramics Workcentre (ekwc), in Oisterwijk, the Netherlands. They are designs that explore ways that architecture can mediate heat, water and nature. Ceramics, which are fired clay, are one of the oldest building materials. But they defy easy categorization because their behavior and properties are so diverse. Ceramics were used to build the Roman aqueducts and also used for the heat shield on the Space Shuttle. Ask a ceramicist and they will insist that the material lives. It is this quality that Garófalo and Kahn want to capture and perpetuate in their work.
The story of European secularism
BY MUEID AL RAEE
@ VOL 32
ON FEB 06, 2017
Mueid Al Raee is interested in the connection of philosophy and religion. He talks about the influences that shaped Spinoza’s work on philosophy, religion, and understanding the nature of God.
Mueid presents Averroes as an important character in the story of secularism. Averroes is often referred to as the father of European Secularism. Mueid argues that religion played an important role in the formulation of the philosophy of secularism as we know it today in Europe.
His message is that we should challenge the ideas that consider secularism and religion as opposites.
SITEWIDE BLOG POSTS
PKN Kansas City Vol. 6
PechaKucha Night was back in Kansas City last week for a sixth edition, and as organizer Jayne Higdon tells us, it was a great one. It was a blast, and we had yet another packed house. Nine presenters entertained the crowd with tales of purposely stained ceramics (lipstick on the rim or a hair on a plate in the glaze), a walk along the city's major river through sketches, and an essay on how design won't save the world. Below, a few more photos from PKN Kansas City Vol. 6 -- there's more to see in this Flickr photoset.
PKN Posters: Hamburg Vol. 14
Near the river Elbe sits the German city of Hamburg. This lively European city will host PKN Hamburg's Vol. 14 this coming Wednesday, April 3 and will feature architects, designers, as well as musicians of the rock and hip-hop variety. To see more great posters from PechaKucha Nights all over the world, check out our Tumblr blog.
Aliens Might Have Claimed My Sisters
"The love of the process isnt about solving, but about the asking. It's taking your agenda out of the picture and seeing what there is to be discovered." Leah Ball's childhood fascination with outer space, alien beings, and cosmic thinking informs her research, inquiry, and design process. In "Aliens Might Have Claimed My Sisters" from PKN Chicago Vol. 29 Leah shows us her passion for creation, and how that passion started out with metal working, and has led her to ceramics. Every work she creates she does so in reference to her miniscule presence in the vast universe.
A Kiln-Fired Friendship
“We made 120 ceramic cockatoos — it took 20 firings in total.” Julianne Smallwood met her friend Judy about ten years ago through the world of ceramics. In “A Kiln-Fired Friendship” from PKN Blue Mountains, Vol. 6, she details her collaboration with Judy and also delves into the challenges of ceramic-firing, building kilns, and the process of crafting beautiful, delicate words of art.
On June 2 for PK3, we heard fascinating presentations from dynamic local people: Geneticist Giri Athrey of Texas A&M; Dan DeLeon, pastor of Friends UCC; Ronin Cooking owners Brian and Amanda Light; high school teacher and seasoned European "couch-surfer" Barbara Klein; and Shannon Van Zandt, Director of Texas A&M's Center for Housing and Urban Development. Thanks for all your love and support! Please consider nominating people for PK4, in the fall. See you soon!
Greetings from the Colonies: Postcards from a Painful Past
"Some [postcards] promoted colonial ideology and served to uphold the supposed hierarchy of the world, with white societies on top." The Golden Age of postcards (1907-1915) coincided with the popularization of anthropology and renewed interest in European colonies. Colonial postcards from this time illustrate some of the most prominent ideas of colonialism and beliefs regarding ethnic hierarchy. In Greetings from the Colonies: Postcards from a Painful Past from PechaKucha Night Maastricht Vol. 27, writer and scholar Inge Oosterhoff retraces these ideas, as well as the ways in which France, Germany, the Netherlands, Belgium and other colonizing countries viewed and propagandized their “colonized peoples.”
Every 60 seconds in Africa…
“Stereotypes harm dignity, but the truth of the matter is that stereotypes sell” What is your image of Africa? A poor, conflict-ridden, hot continent with beautiful sunsets and wild animals, or a hub for innovations and the second fastest growing economy? By day Faten Aggad works as Africa programme manager at the European Centre for Development Policy Management (ECDPM). By night she studies journalism and is a travel writer. In Every 60 seconds in Africa… from PechaKucha Night Maastricht Volume 29, she will challenge you to look at Western media headlines through a different lens.
Who Killed the King
"I am going to tell you a true story, that I made up." In "Who Killed the King" from PechaKucha Night Orlando Vol. 18, Magician Extraordinaire Kostya Kimlat embarks on a fun-filled journey into the hidden stories that lie in plain sight in a deck of playing cards. Kostya goes on to share his mindblowing theory about the card of King of Hearts with us, touching on the European history, the history of card making and his own assumptions.
The Pitfalls of High-Stakes Photography
“My portraits are inspired by 16th century european paintings...I strive to make something epic.” In "The Pitfalls of High-Stakes Photography", from PechaKucha Night Asheville Vol.11, commercial Photographer, Evan Kafka shares his amazing photos. He analyses the commonalities of photographing celebrities, babies and animals and illuminates the techniques he uses to get the best images from difficult situations.
"Ask a ceramicist and they will insist that the material lives." In Ceramic Assemblies from PechaKucha Buffalo vol. 17, Laura Garófalo and Omar Kahn of Liminal Projects discuss their prototypes for ceramic building systems that were developed at the European Ceramics Workcentre (ekwc), in Oisterwijk, the Netherlands. They are designs that explore ways that architecture can mediate heat, water and nature. Ceramics, which are fired clay, are one of the oldest building materials. But they defy easy categorization because their behavior and properties are so diverse. Ceramics were used to build the Roman aqueducts and also used for the heat shield on the Space Shuttle. Ask a ceramicist and they will insist that the material lives. It is this quality that Garófalo and Kahn want to capture and perpetuate in their work.