WATCH

PechaKucha Presentation

Presenter bw thomas miller

Thomas Miller

Theatre Director, Josephine Theatre in San Antonio

The Josephine Theater

PRESENTED ON AUG 27, 2013
IN SAN ANTONIO @ VOL 11

Thomas Miller is here to talk about the Josephine Theater, a non-profit community theater committed to enhancing San Antonio's cultural horizons. This venue provides opportunities for patrons, performers, and students to develop their creative side, and Thomas is thrilled to be a part of it. 

APPLAUD THIS!
Thumb 1. 20pkn 2015 20master 20presentation.034

Catalyst for Theater

BY BRETTA GERECKE AND JONATHAN CHRISTENSON
@ VOL 15 ON MAR 07, 2013

Jonathan Christenson and Bretta Gerecke, founders of Catalyst, talk about the evolution of their theater company. They began 16 years ago, in a run down warehouse, which they renovated as they prepared new presentations, and since then the company has grown and even given international performances.

Thumb 3david 20mason.018

This Is Theater

BY DAVID MASON
@ VOL 6 ON MAR 07, 2013

David Mason talks about what theater does, and how his production engages with the idea of theater. He focuses on the layers within a character, the audience, and how to interact with the audience, both directly and indirectly.

Thumb 3 kleinknecht 2.004

Mach doch kein Theater

BY TONIO KLEINKNECHT
@ VOL 16 ON NOV 15, 2013

Tonio Kleinknecht mit Theater Aalen spricht über was der Reiz an richtigem Theater ist. Mit welchen Stücken will Deutschlands kleinstes Stadttheater die Menschen bewegen sich Geschichten auf der Bühne erzählen zu lassen. 

Thumb 14 dufour

A Primer on Community Theater

BY DAVID DUFOUR
@ VOL 32 ON DEC 02, 2014

David DuFour has a passion for theater.  His PechaKucha performance expands on thriving local and community theater in the USA and in particular the Elkhart Civic Theater in Indiana where Dave is the executive director.

Thumb slide74

Forward Theater Company - Beyond the Stage

BY JENNIFER UPHOFF GRAY
@ VOL 12 ON FEB 19, 2015

Forward Theater Company is Madison's professional theater. Each year, the theater devotes significant resources to outreach programming and aprtnerships that take the issues in productions beyond the stage and partnerships that take the issues in the productions beyond the stage and out into our community. These efforts allow the theater to engage with both traditional audiences and new constituents, to provoke constructive dialogue about crithical topics facing Madison and to draw attention to other non-profits.

Thumb  e3 82 b9 e3 83 a9 e3 82 a4 e3 83 899

Thinking Movie Theater

BY SATOMI HIRONO
@ VOL 26 ON MAY 13, 2016

Satomi Hirono is the manager of a "thinking movie theater." In this presentations she tries to spark a "soft revolution."

Thumb kewley 11

Buffalo Vitascope: The Story of the World's First Movie Theater

BY PAT KEWLEY
@ VOL 16 ON APR 14, 2016

"The world's first movie theater was in Buffalo, New York."

In Buffalo Vitascope: The Story of the World's First Movie Theater from PechaKucha Buffalo Vol. 16, comedian and cartoonist Pat Kewley tells the true story of Vitascope Hall, which opened on Buffalo, New York's Main Street in 1896 and was likely the world's first permanent, specially constructed movie theater. Using period photographs, newspaper clippings, and his own cartoon drawings, Kewley spreads the word about Buffalo's amazing & unique place in film history, touching on the early days of moviegoing, the first films, and the unsung Buffalonians who helped pioneer the film industry in our own backyard.

This was "PechaKucha of the Day" on Wednesday, Jun 29th, 2016. 

Thumb pkn 29 final page 211

The Puppet and Its Double Theater

BY 鄭嘉音 CHIA-YIN CHENG
@ VOL 29 ON JUN 25, 2016

Because Cheng Chiayin had come into contact with all kinds of dolls in childhood, she choose a career in the performing art of puppetry, following French director Philippe Genty in learning the art, and performing all around the world. In 1999, The Puppet and Its Double Theater was established. It not only practiced cross-discipline cooperation, but also performed a variety of themes. The troupe moved from Taipei to an ideal base in Ilan, allowing more people to take part in the art of puppetry.

 

鄭嘉音因為從小接觸各式玩偶,而一路走上偶戲的表演藝術,到追隨法國導演菲利浦.香堤(Philippe Genty)習藝,到世界各地演出,於是1999年成立無獨有偶劇團,不但跨界合作,也表演各種議題,而劇團從台北移到宜蘭有了完善的基地,讓更多人能參與偶戲表演藝術。

Thumb      13

The Reason for starting Samurai Sword Performance Theater

BY AUGA MAGARI
@ VOL 2 ON OCT 22, 2016

トリップアドバイザーで外国人の人気スポット国内5位にランクイン!話題の「サムライ剣舞」はどうやって生まれたのか!?  鉤 逢賀(Auga  Magari)さんがプレゼンとパフォーマンスを見せてくれました。