NOVEMBER 23, 2010
PKN Prague Celebrates Vol. 20
We'd like to congratulate the organizers of PechaKucha Night in Prague for reaching the momentous -- in PKN numerology at least -- Vol. 20! The event happens tomorrow night (November 24) at Aero Cinema, and we truly hope that it's the best one yet. Expect to see some photos from the event here within a week or so.
DECEMBER 22, 2009
The last PechaKucha Night in Prague for 2009 was held just over a month ago (Vol. 15), and in this post we take a look at a few of the presenters, highlighted by PKN Prague organizer Jana Kostelecka, and including a few comments. The next edition (Vol. 16) is already set to happen on February 17.
MAY 26, 2009
We always get very interesting reports from Prague, and the latest one, for PechaKucha Night Vol. 12, certainly follows that trend. That city's organizer Jana Kostelecka sent us the following, written by Adam Gebrian.
April 16th 2009, PechaKucha Night in Prague, volume 12, overcrowded as usual -- I would have never believed you could regularly fit more than 370 people inside a cinema with a maximum capacity of 336 (don’t tell the authorities, especially the fire-brigade control). As usual, we have seen 14 presentations, every single one very funny -- a bit too much for my own taste, but that could have been influenced by the fact that I came to see PKNP directly from a funeral of a friend. But a few questions have been omnipresent: What is more important, content or form? Could you be boring but good? Should you try to be funny, especially when the others are, and the audience is having good time? How hard is it not to please the public? Should you try to react to your colleague’s presentations which precede you? (My personal advice: No!)
APRIL 02, 2009
PKN Prague Vol. 11
For a look at the previous PechaKucha Night in Prague (Vol. 11), we try something a bit different, starting with a bit of a dialogue, written by organizer Jana Kostelecka. Take note that PKN Prague Vol. 12 will be held on April 16.
A: Eleventh, it feels like going home from the first one was only yesterday.
B: Yes, but yesterday wasn't a summer's eve.
A: Hmm... but the amazement is exactly the same.
B: Which was your favourite then?
A: I loved Čestmír Suška's ability of seeing the most fragile beauty in the steel industrial waste, it was like multi-tonne easter eggs.
B: When you look at the Zdeněk Ziegler posters where the fonts were hand-painted and collaged, one regrets that globalization moved on and that posters always come in one package with the films these days. You can hardly make an exhibition of the posters to one film these days. CTRL-C CTRL-V.
A: I dreamed of fantasy worlds. Jakub Dvorský (Amanita Design). You live in a universe of the stub floating in the timeless space, inhabited with curious creatures and rockets made of cans of Kostelecke parky (sausages). Have you ever tried their game?
…and the other chronicler of the insubstantial senses -- Alžběta Skálová. I wish I was a kid again, I remember my favourite illustrations were in the book Alice in Wonderland, but it was nothing like this. When we were small, there were too little books of unreal worlds and its inhabitants…
…they came alive in the wicked pupetery of Martina Černá and Anna Issa Šotolová (Imagery). The rabbit-chicken teddy bear was kind of scary-funny. Moving down the rabbit hole.
B: Then you have the too dark painters, the dark horor of gypsy folk songs in Ladislava Gažiová paintings and Vladimír Skrepl, the first AEROnaut.
A: I fancied the book by Magdalena Kalistová on the green home. Only, the form does not correspond with the sense, so can there ever be beauty in green? And what about the architects?
B: I am excited when I see people care about the landscape and public spaces, and restrain their greed for more in the means of expanding, in lieu of the quality of space. In this light, the A.LT work in Poznan is excellent. Jan Jehlík put his ideas on urbanism clear -- and it's not every day that you see a hand-painted presentation.
A: I liked the simple garden resturant in the ZOO by FAM Architekti.
B: Did you notice that the product designers at PechaKucha do toys? Are you seeing any connection between Jana's Zacharias or are they simply adorable. Adorable. HuberoKororo does a Dino Rocking Horse which reminded me of my blow-up buffalo of old.
A: If I had studied hard, I would have been as knowledgeable as Jan H. Vitvar, and possibly would get the track of what Richard Loskot was doing with all the wiring.
B: When is the next one?
Čestmír Suška (sculptor)
Čestmír Suška is working with steel and iron industrial waste, transforming its weighty substance into something airy, cutting out the borders of the space and letting the light in. He creates a possibility of meeting Richard Serra and Daniel Pirsc.
Alžběta Skálová (illustrator and graphic designer)
Alžběta Skálová is creating ethereal records of her feelings in dapples of pure colour which are comming alive. She is keyholing the soul and candidly letting it out. From the illustrations, you can smell the sea and hear the giggle of the creatures from the kitchen drawer, who wake up in the middle of the night. Alžběta is tightly collaborating with the children book publisher Baobab.
Zdeněk Ziegler (graphic designer and typographer)
Zdeněk Ziegler is best known for his film posters, of which he has created 274 between 1963 and 1989. It was the golden age of collage and hand-painted fonts. Imagine creating a poster to, say, Hitchcock's Birds, and having one smuggled in, magazine and a pencil in your hand. We are deep in the communist times, and the censorship is almighty. And still, you create super-temporal works. It can be thanks to the lack of readymade culture, and the almighty promotion of the film industry.
Jakub Dvorský of Amanita Design (flash games, website, and vision designer)
Amanita Design creates games from some kind of past universe, where you come accross the remains of a human civilisation grown back in nature. It creates a kind and snuggy world, floating in peace. You wake up into a dream with eyes wide open, and you can even meddle with its goings. It works in the most unpredictable and radiant way.