NEW ORLEANS Posts
JUNE 25, 2017
This week's PechaKucha People spotlight lands on two PechaKucha super women, Chicago and New Orleans organizers respectively, Sharon Exley and Marianne Graffam. Both architects at trade, these women are always going the extra mile to maintain a incomparable level of engagement with each of their vibrant cities, affording them both the ability to curate some of the most hard-hitting presenters time and time again, keeping both New Orleans and Chicago's PechaKucha Nights's at the forefront of our global network!
JUNE 22, 2017
"I didn't teach her how to do it, another student had taught her how to do it who'd been to Maker Krewe and learned it from somebody else."
In Marker Krewe from PechaKucha New Orleans Vol. 12, Oskie Creech shares over eleven years of experience teaching in classrooms with what he views as overly structured schooldays. In 2009, he created summer camps allowing children the autonomy to create their own schedules. Oskie created Maker Krewe to provide the time, tools, expertise and community support that kids need in order to grow as creative problem solvers.
MAY 12, 2016
“My mom raised me and I quickly because an independent little person with a lot of personality.”
In Harnessing Wild Horses from PechaKucha Night New Orleans Volume 18 Musa Alves is a DJ, photographer, international fun haver, cheeseburger enthusiast, Brazilian redneck. In this presentation Musa goes chronologically through her life because reckless youth has been a constant theme. She is the product of a Mississippi Delta Debutant and a Brazilian bassist. In her life, she has fallen off the horse a few times, but has always managed to get back up. Whether reckless youth has led to ambition or ambition has led reckless youth, Musa has always carved her own path by harnessing the wild horses that drives you to do the things that scare you, and challenge you, and make you vulnerable.
DECEMBER 24, 2015
Time, Space, and Playing Fields
“Only those who have been excluded, singled out, and pushed out of society, have the credentials to speak truth about it.”
In Time, Space, and Playing Fields from PechaKucha Night New Orleans Vol. 11, artist Abdi Farah talks about his work in relation to his journey from studying art in college to being named the winner of the inaugural season of Bravo’s "A Work of Art." He continues his passion for art in New Orleans seeking kindred spirits through an exploration of metaphysical and imaginary worlds and sports.
"Presentation of the Day" on February 25, 2015 and again on December 24th as part of our Star Wars themed newsletter - goo.gl/e1clE7
OCTOBER 19, 2015
Community Participation and Architecture
"We wanted every design decision that we made to be affordable, made locally, and something that could teach a skill."
In Community Participation and Architecture, from PechaKucha Night New Orleans, Vol. 17, architect Mary Gilmore, shares her master’s thesis on Community Participation and Architecture. Her belief is that if people participated in the design and construction of a building, not only will they become stake holders in the process, but also learn something. To put her thesis into practice, Mary moved to India and then later to Mali, West Africa with the Peace Corps. Now as a practicing architect here in the states, she is has rediscovered the notion of community participation and architecture.
OCTOBER 04, 2015
"This is the first color newspaper ever printed in New Orleans!"
In I'd Rather Be Printing from Pechakucha Night New Orleans Vol. 17, J.S. Makkos shares falling in love with antique printing presses as a youth exploring in his father’s antique shop. This helped define his passion for print making. He came down to New Orleans with a purpose to salvage the detritus and material culture of this city that was being lost in dumpsters and through a sequence of events, stumbled on a treasure trove of New Orleans history.
SEPTEMBER 20, 2015
"Upon seeing the green vase, I was speechless. It was wrapped in newspaper dated from 1970 and had been in the attic the entire time. It was a one of a kind piece, and no one knew it existed. After all the wasted trips and false alarms, here I was with one of the greatest discoveries of cut glass."
Franz Hellwig is an avid collector of American Brilliant Cut Glass, an art form and product popular in the United States from 1876-1916. In The Hunt for American Brilliant Cut Glass from New Orleans Vol. 7, Franz shares with us a bit of the history and methods used by the American artisan to create these pieces of art. Today Franz is considered one of the foremost experts of American Brilliant Cut Glass and travels across the country in search for his next piece.
MAY 18, 2015
"I realised that really I just want everything to be fun ...all the time."
In Turn Off To Tune In from New Orleans, Vol. 13, Artist, animator, Gallery Assistant at The Foundation Gallery in New Orleans, Alice McGillicuddy, talks about her process to find fun and to get into the mind frame to create. Alice is the happiest creating structures, large and small, to house animations and enjoys making every sort of bit and bob.
After you watch this fun presentation, be inspired to DO!
MAY 09, 2015
FEBRUARY 24, 2015
Our bodies act as a shared experience, and death is the one unifying conclusion.
Abdi Farah contemplates what it means to be and artist. In “Time, Space, and Playing Fields” from PKN New Orleans Vol. 11, he discusses his passion for art in New Orleans, and seeking kindred spirits through an exploration of metaphysical and imaginary worlds and sports.