AUGUST 24, 2015
"Our goal is to teach people how to run the presses and then allow you guys to come in here and use them for your own purposes."
In How To Make Printmaking Accessible To All from Knoxville, Vol. 14, Bryan Baker shares his collaborative printmaking project and garage-turned-studio-workspace-gallery-space, Striped Light. Team headquarters for a trio of creative minds, they will be publishing, collaborating, and exploring tangents of their own volition as works are developed for the Striped Light catalog and portfolio, at the same time opening their printshop to the public for learning workshops. The team of experienced printers will also be available for hire, offering limited-edition custom letterpress design and printing for events, business ephemera, and artistic ventures.
AUGUST 11, 2015
"I think there is probably a better way to better use this monetary and land resource that the U.S. is gifted with."
In Skyscrapers to Corn Fields, A Quest for KiloWatts from Knoxville Vol. 15, Hoi Chun Ho, shares the story of moving from his native Hong Kong megapolis city to rural Fort Scott, Kansas, a town with a population of 8000, when he was 16, adding that to call his experience cultural shock would have been an understatement Goodbye skyscrapers, busy sidewalks fulll of pedestrians, and the fast pace of the city. Hello open plains, wide roads, big skies, and corn fields. Aside from feeling lonely and bored, he also felt immensely excited. In the open fields in America, he saw opportunities to learn about a rural way and a chance for a Hong Kong city boy to boost America’s clean, reliable, domestic, base-load, renewable energy production.
APRIL 21, 2015
“I’m interested in the new spaces we’re forced to inhabit after disasters.”
Artist Victoria Buck is interested in the conflicting concepts of protection, vulnerability, and hope in the time during and following abrupt natural disasters.
In “Memory of Place” from PKN Knoxville Vol. 14, she discusses her work, and how it’s intended to investigate the naive trust we place upon the shelter systems we have in place, and their supposed ability to protect us.
APRIL 09, 2015
“I loved the Adventures of Tom Sawyer and Huckleberry Finn and I wanted to take a river trip like theirs.”
Ad and film professional Alex Oliver set out on a 1,000 mile journey down the Mississippi River on a mission. In “Voyage: East Tennessee to the Gulf of Mexico” from PKN Knoxville Vol. 14, we see how the goal of this trip was not only to conquer the Mississippi, but also one of self-discovery, and of the talented people around him.
JANUARY 21, 2015
“We’re a bunch of weird brothers making a film about male lactation.”
Filmmaker Noble Robinette speaks on his unique project entitled “MALK.” In “Malk” from PKN Knoxville Vol. 13 Noble describes what started as a mockumentary on male lactation and the efforts of a group of men to get closer to their families.
NOVEMBER 23, 2014
“We touched on the Dirty South, civil rights, regionalism, and rawness.”
Professor Liz Teston speaks about her design research project that focuses on regional rap music factions. In “Rap Mapping and the Everyday” from PKN Knoxville Vol. 12 she discusses the rap culture in the Dirty South and its connection to the built environment of this locale.
NOVEMBER 18, 2014
“What caught my eye was the border between the man made landscape, and the natural landscape.”
Printmaking MFA graduate Hannah Skoonberg speaks on her art work, which explores the concepts of memory and object. In “Gardens of Winter” from PKN Knoxville Vol. 5 she speaks about how her art — composed mostly of paper — is fragile, vulnerable, and though based on real-life useful objects is unusable due to the material used in its construction.
NOVEMBER 10, 2014
“I worked very hard to make no reference to the real world at all. It took me to some amazing places.”
Architect and urban planner David Denton has been working in the Virtual World for seven years. In “A Journey into the Virtual World” from PKN Knoxville Vol. 12, he speaks about the folly of wanting to re-create the real world, and about the incredible tool that virtual reality is for creating entirely new worlds.
NOVEMBER 10, 2014
OCTOBER 28, 2014
Standing on the edge of the cliff, looking at the possibilities. Jump, live with the boundaries you land in.
Painter Nichole McMinn shares stories of facing fears and pushing herself to do what she loves. In “Possibilities” from PKN Knoxville Vol. 12, she discusses the trials of creativity, the struggles she’s faced as an up-and-coming artist, and realisations she’s reached while in pursuit of her dreams.